Showing 17–32 of 63 results

Grapes in Focus – 2010

THIS ITEM HAS BEEN SOLD

 
Stock AA1585

‘Grapes in Focus’

Acrylic on canvas 2010

61 cm x 80 cm

Mali Moir – Spear Lily Detail – 2011

THIS ITEM HAS BEEN SOLD

 
Stock CMM500

Spear Lily Detail

Mali Moir

Mixed media (oil on low saturation printed canvas, the print simply acts as a sketch). The original watercolour painting is a life size depiction of an endemic Australian lily named Doryanthes Palmeri.

This painting won the Focus on Nature Purchase Award in 2006, the first Australian artist to do so. It is now part of a permanent collection of the New York State Museum, USA

50 cm x 150 cm

2011

Carmel Jenkin – Black & White Figure

THIS ITEM HAS BEEN SOLD

 
Stock AA1561

‘Black & White Figure’

Carmel Jenkin, Melbourne Artist

There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.

Oil on canvas

21st Century

153 cm x 153 cm

Martin Tighe – Only One -2010

THIS ITEM HAS BEEN SOLD

 
Stock CMT1670

‘Only One’

Martin Tighe

(Picnic at Hanging Rock series)

Acrylic on board

80 cm x 103.5 cm

2010

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Carmel Jenkin – Feel At Home – 2012

THIS ITEM HAS BEEN SOLD

 
‘Feel At Home’

Carmel Jenkin, Melbourne Artist

Acrylic on Canvas

There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.

2011

$3,800

152 cm x 152 cm

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Martin Tighe

THIS ITEM HAS BEEN SOLD

 
Stock CMT601

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Martin Tighe