Showing 1–16 of 108 results

ALLPRESS :: MOIR Birds Revisited

Today Mali Moir’s most recent magical works arrived.
I’m doing this quick post, including a brief showcase of our working history and friendship over the years.

Image references from Jamie’s book of birds. ‘Birds. The Art of Ornithology’

Watercolour on 100% Arches cotton paper.
~50 x 63cm rough cut ‘deckle’ edges.

1/ Grey heron. Ardea cinerea. After William MacGillivray 1835.
This is one of the most noticeable of all big waterside birds in Britain. ‘… go where you will, in summer or in winter, to the shores of the sea or the far inland lake … you may here and there find a solitary heron.’
A migratory bird of wetland areas, it is native throughout temperate Europe, Asia and parts of Africa.
Associated with the sun, creation, and rebirth, was depicted as a heron in New Kingdom artwork.

2/ Scarlet Ibis. Eudocimus ruber.
After John James Audubon 1837.

Native to mangrove swamps, muddy estuaries and other wetland habitats in northern South America and the Caribbean islands. ‘Here they are a beautiful site, especially when flying to and from their roosts in glowing red flocks’.

A national bird of Trinidad and Tobago also called ‘guara’. Very closely related to the American white ibis.

3/ ‘Chandelier D’or’ watercolour on paper 2019 Mali Moir

73 x 79cm

Brachychiton bidwillii
(scientific plant name)

Zoom in on her perfect details.

An exceptional watercolour by Mali Moir.
In my opinion one of Australia’s most exceptional versatile artists. From botanicals to charcoals to portraits in any medium.

Unusual late 19th century lithograph dedicated to the palm family.

Finished by hand in watercolour.
Licuala & Calamus
50cm x 34cm unframed.

Two framed Elizabeth Blackwell botanicals 1730 with a Hendrick Drakestein 1686 resting below.

Other than the three Mali Moir’s in the first photos, every other is created by Mali. I’ve had the pleasure selling the majority.

I’ll be posting other birds Mali will be paining soon. You may like to see ahead and choose.

Fifteen early 20th century Japanese water coloured woodblock prints.

Tanigami Konan
The work celebrates the seasons so there is a wide variety of both native Japanese plants and many from the Western World.
Seiyo Soda Tofu (Pictorial Book of Western Flowers) 1917
A fine example of traditional woodblock printing in watercolour finished by hand.
37x27cm

My simple yet elegant Melbourne Spring Racing Carnival window display.

Unusual contemporary sculptured brass horse head on stand.
Wearing a black fascinator.

Now resting on a 18th century English oak lowboy in window display.

If you search “Sculpture” on my website, the same one in my apartment can be seen.

DM me for pricing.

H.44cm
W.12cm
D.22cm

Redoute – A decorative framed arrangement of five early 19th Century hand coloured citrus engravings.

These wonderful rare hand coloured copper engravings hung in my home for many years.
Now too wide to fit into my apartment, I’m selling.

1830   H.77cm  W.175cm

Photography by Russell Winnell Photography

Pierre-Joseph Redouté, (10 July 1759 – 19 June 1840), was a painter and botanist from Belgium, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison,

many of which were published as large, coloured stipple engravings.

He was nicknamed “the Raphael of flowers” and has been called the greatest botanical illustrator of all time.

In 1786, Redouté began to work at the National Museum of Natural History cataloguing the collections of flora and fauna and participating in botanical expeditions.

In 1787, he left France to study plants at the Royal Botanic Gardens, Kew near London, returning the following year. In 1792 he was employed by the French Academy of Sciences.

In 1798, Empress Joséphine de Beauharnais, the first wife of Napoleon Bonaparte, became his patron and, some years later, he became her official artist. In 1809,

Redouté taught painting to Princess Adélaïde of Orléans.

 

Dressing customers walls, first peices.

Last night after closing shop I visited my customers home, they recently purchased some beautiful art from me, as Julian Stafford, Picture Rail Systems hung them yesterday.

They look perfect for the spaces intended and Julian did a fantastic job!

He cleverly hung the 19th century Chinese lacquered screen from the tops, as the other side is unusually very decorative, so they can turn around when desired to change the look.
Very clever indeed.

The three framed 17th century Beslers , single Besler and three framed Elizabeth Blackwell’s perfectly placed.

If you ever require art or corner cabinets or anything hung, I highly recommend Julian.

1686 – 1986

Notice how even a retro made semi Chippendale style dining chair can match so well with a striking piece of art 300 years older.

Contemporary framing can completely change the look of a copper engraving, painting, lithograph, even old photos. It’s not hard.

These chairs were unattractive, dark and had shocking patterned upholstery.

Once again, it’s not too hard to improve a chair.

I have these in a window display this week.

Quite eye catching, along with the descriptions of both.

As always it’s important to create interesting window displays

Draakestein – A collection of 15 unframed prints – Hortus Indicus Malabaricus – 1686

Hortus Indicus Malabaricus by Hendrik Draakestein

The first complete flora from the East Indies. A very fine example of copper engraving.

My favourite botanical master of the 16th, 17th, 18th and 19th centuries.
1686 ‘Hortus Indicus’ was published in Amsterdam.

To me, he was the master. Posted are several of his more attractive florals.
My showroom always boasts at least six Draakestein’s.

Also, in my apartment I have one, but once completed hanging, I’m sure I’ll place at least one more.

On top of his distinctive style, he wrote the name of each subject to the top right of each page in, Latin, Malaysian, Indian and Arabic.
Truly fascinating.

Hortus Indicus Malabaricus by Hendrik Draakestein

46 x 38 cm (unframed)

CGW381539-7

‘Chandelier D’or’ watercolour on paper 2019 Mali Moir

73 x 79cm

Brachychiton bidwillii
(scientific plant name)

Zoom in on her perfect details.

An exceptional watercolour by Mali Moir.
In my opinion one of Australia’s most exceptional versatile artists. From botanicals to charcoals to portraits in any medium.
It’s always wonderful working with and selling for her

Mali Moir – Maned Wolf

Mali Moir – Maned Wolf

‘Chrysocyon brachyurus’ Maned wolf IUCN Red List -NT’

Charcoal on cotton canvas

114cmH x 134cmW

$7,000

The Maned wolf (Chrysocyon brachyurus) is the largest canid of South America, its long legs are likely an adaptation to the tall grasslands of its native habitat. The Maned wolf is primarily solitary and is not closely related to any other living canid. It is not a fox, wolf, coyote, dog, or jackal, but a distinct canid and is the only species in the genus Chrysocyon. The maned wolf’s evolutionary relationship to other members of the canid family makes it a unique animal and considered the only species among the large South American canids that survived the late Pleistocene extinction. Today it is a rare and protected species. The most significant threat to the survival of the remaining Maned wolf populations is habitat loss, domestic dogs and hunting.

Mali Moir – Marine

Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.

Mali was awarded a Gold Medal by The Royal Horticultural Society London and an invited exhibitor to the Hunt Institute for Botanical Documentation USA. She is recipient of an inaugural Celia Rosser Medal and twice finalist in the Waterhouse Art Prize. Mali was the first Australian to receive the Focus On Nature Purchase Award by New York State Museum USA. She exhibits widely in Australia and internationally and has produced many works for private, public and corporate collections.

Mali has great interest working in the area of conservation and was proud to donate a painting for the charity auction ‘Name a New Species of Shrimp’ held by Australian Marine Conservation Society in association with Museum Victoria, Mali also contributes to ‘Art for Sharks’ with AMCS.

Mali has a keen interest for artistic interpretation of natural history themes in the Accurate Realism style, approaching her work with traditional techniques whilst developing a fresh contemporary look. Mali executes works on paper with the consummate skill of a dedicated artist as she combines her fascination for science and nature with an active desire to render works of art with beauty, character and scientific merit.

Mali abides with her sincere belief that “artists make science visible”.

Mali Moir – Animals

Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.

Mali was awarded a Gold Medal by The Royal Horticultural Society London and an invited exhibitor to the Hunt Institute for Botanical Documentation USA. She is recipient of an inaugural Celia Rosser Medal and twice finalist in the Waterhouse Art Prize. Mali was the first Australian to receive the Focus On Nature Purchase Award by New York State Museum USA. She exhibits widely in Australia and internationally and has produced many works for private, public and corporate collections.

Mali has great interest working in the area of conservation and was proud to donate a painting for the charity auction ‘Name a New Species of Shrimp’ held by Australian Marine Conservation Society in association with Museum Victoria, Mali also contributes to ‘Art for Sharks’ with AMCS.

Mali has a keen interest for artistic interpretation of natural history themes in the Accurate Realism style, approaching her work with traditional techniques whilst developing a fresh contemporary look. Mali executes works on paper with the consummate skill of a dedicated artist as she combines her fascination for science and nature with an active desire to render works of art with beauty, character and scientific merit.

Mali abides with her sincere belief that “artists make science visible”.