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A Rare French retro fibreglass sealed fabric centre table, in Autumn tones with birds and foliage.  

A Rare French retro fibreglass sealed fabric centre table, in Autumn tones with birds and foliage.  

Below the circular top reveals the falling fabric continuing on to form the base.
Provenance: The table was selected by notable decorator Colin Bowman when both Madame Verna and he travelled to America for the furnishing of Verbu Lodge in early 1982.
(Video to come, Monday)
I restored the base this week as it had a little marking and the lower half had faded near flat.
So I cleaned back, coloured out the damages, then re varnished the entire base to match better with the top.
Such a dramatic difference, you’ll see better in the photos.
This table is a one off.
H.73cm
Dia.124cm
Included in my 50% reduced closing SALE.
$9,500 reduced to $4,750
Late Tudor / early Renaissance carved oak panels (circa 1520–1560), presented within a later Arts & Crafts period outer frame (late 19th / early 20th century).

Late Tudor / early Renaissance carved oak panels (circa 1520–1560), presented within a later Arts & Crafts period outer frame (late 19th / early 20th century).

This is a classic composite, or “married,” construction of the kind long recognised in the trade: a later carcass carefully built to showcase much earlier salvaged fragments. The front facade consists of highly distinctive Tudor-period carved oak panels that capture the transitional phase between Late Gothic and Early Renaissance design in England.
The architectural arrangement of the facade is divided into vertical framed panels that derive directly from traditional medieval joinery. Arcaded structures contain primitive figures, characteristic of late medieval and Henry VIII-period carving, flanking a central panel of stylised, interwoven geometric motif. The three principal panels display a deeply incised geometric design, with trees or vines appearing on the side panels. Figures stand beneath carved archways in a manner strongly influenced by continental Renaissance designs that reached England and Flanders in the early sixteenth century, a style often described as “Romayne” or architectural caryatid carving.
These panels may originally have formed part of a fifteenth- or early sixteenth-century marriage chest (cassone), or been taken from Tudor oak wainscoting or dismantled bed heads in manor houses. Their surface shows severe age-related degradation, chipping and deep vertical checking on the lower sections, creating a heavily eroded, dry texture that contrasts markedly with the smoother structural frame surrounding them. Historic borer trails are present, as is typical of early oak. These are long extinct, with stable oxidisation and no evidence of active infestation.
The outer frame (stiles, rails and top lid) is a reconstruction of the Arts & Crafts period, when craftsmen held a particular reverence for medieval and Renaissance joinery and routinely salvaged original fragments from decaying estates to create new, functional pieces.
Two conservation options are under consideration: careful removal of the Tudor panels for independent conservation, sealing, wax finishing and reverse-framing on an antique velvet-covered timber panel (in the manner of the sixteenth-century Flemish oak panel of a rising angel previously offered), or retention of the complete composite structure with gentle restoration of the front panels and wax finishing of the surrounding coffer. Both approaches respect the historical integrity of these early carvings.
A rare and evocative survival of the transitional Tudor period, offered with complete transparency as a composite construction of genuine early panels within a later frame.

Panel
42 x 95cm

Coffer
H.66
W.120cm D.36cm

Call or text me for further details or to arrange a viewing.

Dressing customers walls, first peices

Dressing customers walls, first peices

Last night after closing shop I visited my customers home, they recently purchased some beautiful art from me, as Julian Stafford, Picture Rail Systems hung them yesterday.

They look perfect for the spaces intended and Julian did a fantastic job!

(more below)

 

The Johnston Collection 2010.

The Johnston Collection 2010.

Words by Jamie Allpress, Allpress Antiques
Photography by Russell Winnell

Recently I was invited to re-arrange the entire contents of The Johnston Collection, to create my own interpretation and to give visitors to the house a fresh experience.

I heard about the Johnston collection many years ago and on seeing it was ‘enthralled’ by the overall quality and uniqueness of Mr Johnston’s collection.

(more below)

Georgianised 19th century English oak long chest

Georgianised 19th century English oak long chest

This week we finally completed a chest of drawers I purchased around a decade ago.
I’m so glad I waited, as now looking perfect in my bedroom.
I Georgianised a 19th century English oak long chest (Victorian)
Originally had fancy shaped Victorian mouldings to the top and base. With turned rosewood handles, diamond shaped rosewood inlaid escutcheons and rosewood drawer cockbeading.
Finished off with fancy turned feet.
A day in the life of an antique dealer.

A day in the life of an antique dealer.

Had to bank a cheque this morning, sold a particularly nice small sized Regency style chest of drawers yesterday, several of my customers still use cheques.
Drove down to Acland St to deposit and had a coffee at Abbey Road Cafe.
My friend, the prettiest, grooviest, waitress in Melbourne, Simonè, always brings me the perfect coffee… (more below)
Late 90s, rare 'one off' pieces

Late 90s, rare ‘one off’ pieces

Going back in time to the late mid to late 90s, still at 1425.

instagram reel

Rare one off pieces, early 18th century Italian walnut side chair, early 18th century English oak gate-leg table, rare 18th century French storage settle of smaller proportions – sold in the 70s by John Borthwick, then by me to Bill and Kate and they still have in their Ocean Grove home today.

Early 18th century Italian walnut commode, 19th century Anglo Indian painted rocking horse with removable head and moving testicles (certainly a rare piece, purchased by very generous god parents) a perfect example of an early 17th century English oak court cupboard, sold early 90s, then re sold for the owner early 2000s.

An unusually large first period Dr Wall Worcester jug (I purchased this for my private collection late 1980s and have used in displays for four four decades (now selling) search – stock AA0619.

18th century English country oak tilt top wine table (I’ve sold many dozens over the years, every one quote individual, that’s the beauty of county furniture ✨

I have about four remaining in stock in my warehouse, early 18th century English oak side table, early 18th century English oak hanging corner cupboard (sold so many over the years, each one unique and beautiful.

I have a stunning bow fronted country oak hanging corner cupboard to hang and photo for website in a few weeks, late 17th century English oak chest, with later 18th century bracket feet (one of many dozens, look through my archives on website)

17th century English oak side table, first half 18th century English bow-fronted chinoiserie decorated hanging corner cabinet, mid 18th century English oak writing bureau of small proportions,

18th century Italian walnut sculpture of cupids (Sold for the late one and only Gary Kay – Antique Decor) a very well missed character in the antiques and art trade, George III country oak display dresser, early 19th century English oak book/clothes press on stand (very special and still housed in Ocean Grove✨ actually the other week I found another in my warehouse, but without a side table base, very nice and on website soon)

 

A few snapshots I recently found of a fair I attended August 1999

A few snapshots I recently found of a fair I attended August 1999

The Royal Exhibition Building, Nicholson Street, Melbourne.

instagram reel

One of many I took part in over the decades.

Looking back over my stand, I remain proud of the standard of stock I sold at that fair. Funnily, I remember every piece, who I purchased from or sold on behalf of, I remember who purchased and where they’ve sat over the past 27 years.

Grateful I am for Mary Adamson, sewing the many meters of material I shipped around the country, applying to my walls with the help of Shane, flying from NZ to assist me at many shows.

Several exceptional early pieces of rare early oak from my old friend Francis, Chinoiserie clocks from Michael, Art from Bryan Collie, assistance on my stand by Bridget Evans.

I even remember the stands that were opposite me, truly remarkable for me, as my memory often fails me!

If only to step back for a few moments, imagine….✨

Why Antiques?

Why Antiques?

Article by Henry Buckenham – Allpress Inc – Australian Period Home Style Magazine.

Cover photo and photos by Russell Winnell of Jamie Allpress’ rearrangement of the William Johnston Collection 2010

[ View Original Article ] (PDF)

Some of my favourite 17th century pieces in stock.

Some of my favourite 17th century pieces in stock.

Some of my favourite 17th century pieces in stock Thought I’d share a few with you. Enjoy!

instagram reel

 

A pair of late 17th Century oak side chairs, North West England.

Each with rectangular scroll carved panelled back with scroll cut and guilloche, carved cresting embraced by pyramid finial surmounted uprights, solid seat on block and turned supports. Jointed by a turned front stretcher and multiple side stretchers.

1680 – 1700

 

ALLPRESS ANTIQUES @ MELBOURNE – THE PAST FOUNDING THE FUTURE

ALLPRESS ANTIQUES @ MELBOURNE – THE PAST FOUNDING THE FUTURE

ALLPRESS ANTIQUES @ MELBOURNE – THE PAST FOUNDING THE FUTURE

‘Antiques are timeless classics that look wonderful in contemporary settings’*

Gaining and enjoying a sensitivity to a timeless design aesthetic has been part of the passionate life journey of New Zealand born Melbourne based antiques dealer Jamie Allpress. It began when he was only 11 years of age, working after school in an antique shop in the beautiful surroundings at Dunedin in New Zealand. It is also where he first learned the skill of maintaining original finishes, hand graining, colouring and wax finishing as he embraced the concepts of conservation and restoration of fine furniture.

Read more below…

Changing my art around today..

Changing my art around today..

And selling a few pieces to another dealer, this beautiful pair of bronze sculptures with figured elm bowls being one.

Thought I’d hang the large Oil Painting on canvas, “Posh Girl” with Badminton racket, 1891, Thomas Faed.

Thomas Faed.  Scotland.  1826 – 1900. (Needing a few touch ups)

With a couple of unusual late 19th century lithographs dedicated to the palm family.

ALLPRESS :: MOIR Birds Revisited

Image references from Jamie’s book of birds. ‘Birds. The Art of Ornithology’

Watercolour on 100% Arches cotton paper.
~50 x 63cm rough cut ‘deckle’ edges.

One great thing about working from a warehouse is, playing one of my top 10 favourite albums all day, today was,
Splendor Solis, The Tea Party. So many of my favourite songs on this album, especially “The River”
I’ve been blessed to see The Tea Party many times over the past 25 plus years. I’ve taken my children and many very special friends, even wonderful Niko for his first ever concert ✨
A few years ago I booked five tickets for myself, Allie, James, Charlie & Luke,
Went to check the date, had already been!!! One of the bummers re shisen memory!

Charlie, Luke and I saw Jeff Martin (lead singer) at the Brunswick Ballroom recently. So many special memories. I’m truly blessed…

You’re welcome to call into my warehouse one day, enjoy a coffee (my shout) seeing beautiful antiques & art and play some amazing music together…

I’m not your usual antique/art dealer.

Some of my lighting, now available at Moonee Ponds Antiques

Some of my lighting, now available at Moonee Ponds Antiques

Video to come

When I closed shop last June, I sold all of my lighting to one dealer, Michael Snook – Moonee Ponds Antiques.

Was a true blessing, as I didn’t have to pack and re hang. Michael’s new showroom is 49 Hawker Street, Airport West.

If you’re looking for any chandeliers, Italian Murano, 19th century French, Dutch electroliers, wall sconces,

decorative lamps, or decorative 19th century French furniture, go see Michael.

@mooneepondsantiques

Nine months since I closed my showroom. Finally making my warehouse visible to the public.

Nine months since I closed my showroom. Finally making my warehouse visible to the public.

Missing my daily conversations and friendly debates with my daily visitors, so I scratched a hole in my painted out window, to re welcome interested souls…

Opening varied hours, usually late a.m. starts and mid-late afternoon departures.

Most Sundays Eddie and I work together in our workshop, we have a fantastic job on now, bringing much needed life back into many badly smoke, Fire and Water damaged French pieces.

I’ll do a seperate or several posts on this journey soon.

I may relocate interstate one day soon, so continuing my SALE. Everything reduced by 50%! In the meantime, if you’d like a look into my storeroom & workshop, you’re best to text or call me 0415 555 998.

Restoration of "A Rare 20th century American Retro painted folding leaf support dining table base, with rectangular glass top."

Restoration of “A Rare 20th century American Retro painted folding leaf support dining table base, with rectangular glass top.”

Early December I drove to Port Melbourne to meet Linda and her sweet dog Boof, and see their sad damaged table base.

The rectangular glass top shattered when a hot plate was resting on a supposed safety mat, purchased on Amazon.

The black painted base was damaged in many places, many were deeper than gouges and scratches. Remarkably no guests were hurt when the top suddenly imploded!

I originally quoted for my friend David Glynn Davies to touch out. For 35 years David has kindly restored many dozens of painted pieces for me. Some you would never recognise the before and afters. But once we picked up the table, the amount of work required was too much to ask him, as was more than just a few patches and a touch out. The table deserved a complete make over, so we did.

Eddie and I restored this unique table base in many stages, off and on over several weeks.

The weight and awkwardness of moving the base was hard during the entire process, I completely under quoted, but would have just about done for free, as the job was so challenging and in the end incredibly rewarding, I’d happily do it again.

After Eddie filled and patched dozens of chips and gouges, I cut back the base overall and coloured every piece of filler. I then cut back again and proceeded to paint in sections, first the interior, then the folded leaves in their entirety, then the stepped base.

Three times and covering up the surrounding areas every time, to stop the overspray messing the finish.

Became quite easy by the end, but the so called satin finish was too shiny and the old worn damages still stood out. So I decided to cut back the entire finish, hard! Then I sealed in a lacquer to soften the finish and disguise the remaining visible damages. This was a huge gamble, so before doing this, I prepared a large sample of timber and gave the same amount of coats over a ten day period, allowing drying time to be the same. BTW, this also gave the painted table base a lot more time to firm up. Then I cut back one final time and lacquer finished. I came in the following day and was so happy to see the finish was absolutely perfect. So I did the exact same to the base, and once again in three stages over three days, I couldn’t have wished for a better result.

So many hours I lost count, but wow!

Then replacing the glass, that was a huge task on its own.

I contacted W Bremner and Sons, I’ve been dealing with them for over 35 years. They were originally for many decades on the corner of Grange and Dandenong Roads, then moved out to Noble Park. But they had closed, I only used them last December for two coffee table tops, and perfect as always, oh and affordable.

I had based my quotation on their prices. But searching for a reputable, fairly priced glass table top maker these days is like taking a lottery! My sister Maxine had this task. If I wrote one of the conversations she had with

a glass supplier, nobody would believe someone in business would speak to a customer in that way!

I’ll tell you the story if you call me….

His Google ratings were like 1✨ even lower than mine!

(Pays to keep one’s political views private 😉) or thou shall cancel thy enemy…

Anyway, she didn’t contribute to his collection of I’d say factual complaints!

Also some of the prices were beyond acceptable. God knows how they actually sell any glass.. anyway, she eventually located a good bloke that did as he said and at a fair price.

So the glass was delivered this morning, three men to lift onto Linda’s home and it was raining! OMG, trying to dry off and balance between three was a massive undertaking. But we eventually got there. That could be a short story on its own.

So at the end, Linda and Boof were very happy vegemites and we all lived happily ever after…