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A Rare French retro fibreglass sealed fabric centre table, in Autumn tones with birds and foliage.  

A Rare French retro fibreglass sealed fabric centre table, in Autumn tones with birds and foliage.  

Below the circular top reveals the falling fabric continuing on to form the base.
Provenance: The table was selected by notable decorator Colin Bowman when both Madame Verna and he travelled to America for the furnishing of Verbu Lodge in early 1982.
(Video to come, Monday)
I restored the base this week as it had a little marking and the lower half had faded near flat.
So I cleaned back, coloured out the damages, then re varnished the entire base to match better with the top.
Such a dramatic difference, you’ll see better in the photos.
This table is a one off.
H.73cm
Dia.124cm
Included in my 50% reduced closing SALE.
$9,500 reduced to $4,750
A rare 19th century English mahogany and walnut demilune folding tea table.

A rare 19th century English mahogany and walnut demilune folding tea table.

In style of 18th century George III period.
Of unusually small proportions.

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The double folding demilune tops open to reveal a small space to store and lock away their tea. Tea was so valuable in parts of the 18th century, they locked away from the staff.
The top folding into a well faded circular serving top, left open for long periods to have such fade. Usually the top is far lighter than inside. The bowed front apron, retaining the original lock, with ogee-shaped mouldings, above the narrow turned tapered legs, terminating in a fine pad-foot.

This piece had been over restored long ago, so I slowly removed majority of the polish, then built a softer wax finish.

H.72cm W.36cm D.22cm
Diameter opened 36x35cm, due to shrinkage.

Note, the front leg is walnut, quite unusual, certainly defining the table and something you probably won’t see again.

C.1850

$3,200 Reduced by 50% $1,600

Perfect as an entrance table for a small apartment or for many spots in any home.

When opened you’ll notice the bowl of relaxing sleep tea (I have most evenings before bed, so relaxing) and a bottle of “alchemy” essential oil I burnt in my shop daily, so many customers loved the scent, so I on sold both and many other teas I drink, for my sister Maxine, she owns iBliss Australia, I often scent my apartment, I love the smell✨

The majority of pieces used to dress the top are for sale, text or call me for information.

Restoring a part of history

Restoring a part of history

I delivered this beautiful George II English country elm and ash armchair to happy customers yesterday.

The chair was also very rickety, so Eddie took apart where necessary, removed long screws and hand made nails, restored and re glued.

You can see from the oxidation where the arm meets the side support rail, the chair had been loose, maybe even longer than I’ve been alive. (That’s how you can tell if damages are fresh “as sometimes claimed” or happened long ago…

I then have the job of disguising any signs of the repairs, matching wax colours to the variations of the elm, wax filling, making polishes to do the finishing touches, slowly blending the polish with fine pencil brushes, then re-waxing overall.

I always love these jobs, as they’re not straight forward and you never know how many hidden screws and nails you’ll find, or modern glues used over the years, that don’t dissolve naturally like animal glue does, so simply with warm water.

Took me nearly an hour just to remove all of the animal glue runs and splashes, once Eddie had completed the repairs.

But it’s a pleasurable job, one could at times consider this work and loving the process as a form of gentle therapy… Well I certainly do✨

9.5 hours of work later and complete.

Delighted customers when I placed back to where had sat for many decades and as they said, with the fresh wax finish “He’s never looked better”

FYI, this incredibly stylish 18th century armchair, was made 1730-1760, long before Captain James Cook landed on our shores.

That’s something to ponder…

When a chair that’s approaching 300 years of age tells you something!

Knowing this style of chair, beginning in the Queen Anne period around 1702, seeing many over the years, I can see that this chair was most probably made by a French cabinet maker. The obvious reason being, the lower front rail, between the bold cabriole legs is very French in every part. So blatantly obvious and quite a statement.  Where as, everything else about the chair is perfectly English.

Maybe I’ll do a story on our large tin of hand made nails we’ve pulled out of furniture ranging from 500 – 100 years old, of all shapes and sizes over the past four decades?

 

Re completing an Antique Mirror.

Re completing an Antique Mirror.

My customer that bought the yew wood drop side table recently, pointed out an 18th century antique French Régence carved giltwood wall mirror she bought elsewhere, had a replaced central mirror, the fake ageing spoilt the overall.

Notice photo 5, fake age. She’s an aesthete like myself and everything’s perfect within her home. I told her I’ve saved mirrors since before I opened 1990. I even knew the one that would suit best.

I went back to the workshop and located the one I was thinking of, a 19th century English carved mirror back.
Made me happy to finally make use of this, that I’d bought around 30 years ago. Dealers hold so much stock, materials, veneers ( hundreds of sheets of veneer) anyway back to the story.

I called David Davies, he worked with me on and off for decades, he cuts old mirrors and glass, it’s fascinating to watch. But nail biting, as to get the corners rounded, he has to use pliers, won’t say anymore, but my teeth are still hurting from the cracking!!

Anyway, he cut the mirror successfully, note: the other 2/3 of the mirror remains in my warehouse.
Let me know if you could use a piece.

Very happy customer ✨

A rare George III solid yew-wood pembroke table. 

A rare George III solid yew-wood pembroke table. 

THIS ITEM HAS BEEN SOLD
When interstate recently, one of my favourite customers from over many years, called me to say hello and ask where I’d moved to?
I explained I’d moved to my warehouse for about the next year in North Fitzroy.
About 1k from her home in Fitzroy, she was happy to hear this.
Next she said, I love every piece I’ve purchased from you over the years, they bring me great joy. My only regret is, I never bought that yew-wood pembroke table from you, for my library room.
My reply was, well Elizabeth, I took the table home to enjoy for a few years. However, I recently changed a few pieces around and had to bring back into stock. So it’s now just around the corner from you.
On my return, she came to my warehouse and asked me to deliver to try. Knowing the space well, I knew it wouldn’t return. Even better, this piece  like all of my stock was reduced by 50%.
I imported this table from Chester, UK some years ago and have nearly sold many times.
That’s the life of an antique dealer, some pieces, no matter how rare they are may sell before you even have the chance to post it, or may be in your company for over a decade.
I took a few photos in situ to share.
I also photographed all of the other pieces I sold her over the years, every one a one off piece. “The incredible beauty of English country furniture”
I’ll create a post soon of all of them, of course I have permission to do so…
Silver mixed media painting on canvas with bronze resting in the centre Pind Kongklom 2013

Silver mixed media painting on canvas with bronze resting in the centre Pind Kongklom 2013

This piece of art is quite unique, I purchased two paintings from this artist at an overseas gallery 2013, kept this and sold the other, that you can see on an earlier post, including all the other pieces of art they purchased.

I enjoy the unique methods the artist created, certainly creates a mood wherever he hangs.
You’ll notice in my photos, how the piece changes in different lighting, I love the effects that vary.
For the past few years in the living room of my apartment, I’ve had both retro lamps either side, I love the more dramatic effects.

I’ve enjoyed having this painting since 2013. It’s featured in shows, window and shop displays and spent the past six years on my apartment.

I’ve decided to change a few pieces, this is one.

Text or call me for details.

150 cm x 145 cm

A rare late 20th century, Italian Smoky Glass Bowl

A rare late 20th century, Italian Smoky Glass Bowl

Attributed to Rasteli, Italy.

The endless beauty of glass

A substantial hand formed glass bowl with a softly rounded body and a thick, undulating rim. The darker smoky tone of the rim creates a strong contrast against the lighter, more transparent body below, giving the piece depth and a quiet sculptural presence. The rim is intentionally uneven, rising and falling in gentle waves, which reinforces its organic, tactile quality.
Heavy in the hand and refined in silhouette, it works equally well as a centrepiece, vessel, or standalone object.
Dimensions

Height 14 cm
Diameter 23 cm

Very good vintage condition.
•  No chips, cracks, or structural damage
•  Minor surface wear and fine scratches consistent with age and careful use
•  Original maker’s mark no longer present

Willughby Fish

Willughby Fish

Willughby Fish – Mola Salu – 1680

Francis Willughby (1635-1672)

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From the first large work on fishes in England, marking a new era in ichthyology that clearly described and classified fishes according to nature and based on their characteristics drawn only from their structure.

Framed H. 46.5 cm W. 49 cm

Finished and delivered a large parquetry dining table yesterday.

Finished and delivered a large parquetry dining table yesterday.

My customers didn’t like the strong red tones in the cherrywood top and base, especially the cleats were very red. Between stripping, bleaching, very slow hand sanding, I removed a lot of redness.
Then mixed a black japan stain adding greens.

Once stained and sealed, I tinted my polishes with greens, and carefully targeted the stronger spots. The finished job had many walnut variations, with very little reds remaining.
Very happy customers.

I still have over 100 framed paintings, hand painted copper engravings, botanicals, architectural, natural history in my storeroom

I still have over 100 framed paintings, hand painted copper engravings, botanicals, architectural, natural history in my storeroom

Plus many unframed botanicals etc…
These are the remaining bird watercolours, 198 years old.

All reduced by 50%

Text or call me for details.

see reel

A rare suite of early 19th Century Regency period watercolours of Indian birds – AA1830
Nineteen exquisite ornithological subjects, painted by a visitor to the sub-continent in the 1820’s. The representations are anatomically correct and accurate in scale, yet all of these finely executed watercolours – by an unknown but clearly gifted artist – manage to display strong individual character, painstakingly cut as silhouettes and laid down on eleven contemporary folio album pages (510 x 290 mm each) in the style of decoupage, all but three of the specimens with an accompanying contemporary manuscript label cut and pasted onto the page beside it, all the illustrations in an excellent state of preservation, the colours still vibrant, the paper stable, some residual tape marks to corners and margins of the sheets which do not detract, one of the captions identifying a location (Bellary, in Karnataka, southwest India) and a date (January 1828).
The manuscript labels read as follows:
Black-headed Oriole Mango bird. Lark. Alanda sp. The birds appear in October in immense flocks and depart in March – often mistaken for Ortolans.Plover. Water Wagtail. Eagle. Shot at Bellany Jan 1828. Breadth from Wing to Wing 6 feet. Half size. Falco Sp. Chysactos. Spur Foul: Tetrao sp. Partridge. Short tail Tern. Water Wagtail. Bansputtah or Bamboo Frequenter. Common Florican. Stone Chat. Malacilla Rubicola. Three-toed Quail (male and female). Golden Oriole. Female. Golden Oriole. Male. Grey Shrike. Female. Lanius Sinerius.

Decorative 18th Century French Oak Buffet Deux Corps, of Small Proportions

Decorative 18th Century French Oak Buffet Deux Corps, of Small Proportions

This is French with strong English Hepplewhite influences.

Over the years I’ve sold many, usually slight or profusely carved.

This example has elegant modern like lines, beautifully worn and patinated. All original brass-work.

The standout piece in a modern apartment living room, entrance or hallway. Stunning lines indeed.

Beside 18th century English country Hepplewhite dining chairs. Notice the influence in style.

The 1940s Paris newspapers stuck to the backboards, adds yet another interesting touch to this rare 18th Century French Oak Buffet Deux Corps, of Small Proportions

This is French with strong English Hepplewhite influences.
Such an interesting piece.

As I said, usually carved, also usually much larger proportions.

H.230cm W.120cm D.50cm

Included on my Retirement SALE,
$16,500 reduced to $8,250

 

Late Tudor / early Renaissance carved oak panels (circa 1520–1560), presented within a later Arts & Crafts period outer frame (late 19th / early 20th century).

Late Tudor / early Renaissance carved oak panels (circa 1520–1560), presented within a later Arts & Crafts period outer frame (late 19th / early 20th century).

This is a classic composite, or “married,” construction of the kind long recognised in the trade: a later carcass carefully built to showcase much earlier salvaged fragments. The front facade consists of highly distinctive Tudor-period carved oak panels that capture the transitional phase between Late Gothic and Early Renaissance design in England.
The architectural arrangement of the facade is divided into vertical framed panels that derive directly from traditional medieval joinery. Arcaded structures contain primitive figures, characteristic of late medieval and Henry VIII-period carving, flanking a central panel of stylised, interwoven geometric motif. The three principal panels display a deeply incised geometric design, with trees or vines appearing on the side panels. Figures stand beneath carved archways in a manner strongly influenced by continental Renaissance designs that reached England and Flanders in the early sixteenth century, a style often described as “Romayne” or architectural caryatid carving.
These panels may originally have formed part of a fifteenth- or early sixteenth-century marriage chest (cassone), or been taken from Tudor oak wainscoting or dismantled bed heads in manor houses. Their surface shows severe age-related degradation, chipping and deep vertical checking on the lower sections, creating a heavily eroded, dry texture that contrasts markedly with the smoother structural frame surrounding them. Historic borer trails are present, as is typical of early oak. These are long extinct, with stable oxidisation and no evidence of active infestation.
The outer frame (stiles, rails and top lid) is a reconstruction of the Arts & Crafts period, when craftsmen held a particular reverence for medieval and Renaissance joinery and routinely salvaged original fragments from decaying estates to create new, functional pieces.
Two conservation options are under consideration: careful removal of the Tudor panels for independent conservation, sealing, wax finishing and reverse-framing on an antique velvet-covered timber panel (in the manner of the sixteenth-century Flemish oak panel of a rising angel previously offered), or retention of the complete composite structure with gentle restoration of the front panels and wax finishing of the surrounding coffer. Both approaches respect the historical integrity of these early carvings.
A rare and evocative survival of the transitional Tudor period, offered with complete transparency as a composite construction of genuine early panels within a later frame.

Panel
42 x 95cm

Coffer
H.66
W.120cm D.36cm

Call or text me for further details or to arrange a viewing.

Pair of Italian retro Magis Lyra barstools, designed by Sigurdur Thorsteinsson

Pair of Italian retro Magis Lyra barstools, designed by Sigurdur Thorsteinsson

Designed for Design Group Italia in 1990 and manufactured by the Italian brand Magis.

This classic postmodern design features an organic, curved bentwood plywood seat shell combined with a futuristic, tapered three-legged tubular chrome steel base.

Because of their enduring popularity, they were also famously distributed globally by Herman Miller.

The stools are in great condition.

Selling for a friend $750 pair

Happy to deliver inner city No charge…
Otherwise, pick up St Kilda West or North Fitzroy.

The Johnston Collection 2010.

The Johnston Collection 2010.

Words by Jamie Allpress, Allpress Antiques
Photography by Russell Winnell

Recently I was invited to re-arrange the entire contents of The Johnston Collection, to create my own interpretation and to give visitors to the house a fresh experience.

I heard about the Johnston collection many years ago and on seeing it was ‘enthralled’ by the overall quality and uniqueness of Mr Johnston’s collection.

(more below)

Georgianised 19th century English oak long chest

Georgianised 19th century English oak long chest

This week we finally completed a chest of drawers I purchased around a decade ago.
I’m so glad I waited, as now looking perfect in my bedroom.
I Georgianised a 19th century English oak long chest (Victorian)
Originally had fancy shaped Victorian mouldings to the top and base. With turned rosewood handles, diamond shaped rosewood inlaid escutcheons and rosewood drawer cockbeading.
Finished off with fancy turned feet.