Scientific name: Nelumbo nucifera ‘Cochrane’s Green Magic’
Water colour on Lana 100% cotton paper
85 cm x 61 cm
129 cm x 99 cm unframed
$8,900
Note: This subject is painted life six from samples grown by Blue Lotus Nursery. This variety was bred by the owner from Chinese seed he himself collected and imported from China. The original painting includes an extra new leaf emerging on left side as seen in photo below.
Mixed media (oil on low saturation printed canvas, the print simply acts as a sketch). The original watercolour painting is a life size depiction of an endemic Australian lily named Doryanthes Palmeri.
This painting won the Focus on Nature Purchase Award in 2006, the first Australian artist to do so. It is now part of a permanent collection of the New York State Museum, USA
Jan Kip – Hampton – A Rare Early 18th Century English Copper Engravings of Grand English Estates 1708
Birdseye Maple Frame
66 x 74cm
Johannes “Jan” Kip (1652/53, Amsterdam – 1722, Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses.
Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill’s A Collection of Voyages & Travels (first published 1704). He signed the African scenes in volume V of the 1732 edition as “J. Kip”.
His most important works were the large fold-out folio illustrations for Britannia Illustrata, 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, The Ancient and Present State of Glostershire, 1712 (1st edition); and for Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne, 1715, an extended reprint in collaboration with other artists.