A Trio of 19th Century Chinese Watercolours of Musicians on Rice Paper
A trio of 19th century Chinese watercolours of musicians on rice paper.
Having a 3D appearance.
Excellent colour.
Recently reframed.
Only sold as a trio.
16cm x 10cm
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A trio of 19th century Chinese watercolours of musicians on rice paper.
Having a 3D appearance.
Excellent colour.
Recently reframed.
Only sold as a trio.
16cm x 10cm
Thailand 2010
169 cm x 140 cm
A Rare Set of Early 18th Century English Copper Engravings of Grand English Estates
By Jan Kip
1720
60 x 70cm
Johannes “Jan” Kip (1652/53, Amsterdam – 1722, Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses.
CGW134463/3b
Patere No. 13
La Borde, Regency period Greek vase and design.
Hand coloured engravings.
1813
42 cm x 57 cm
THIS ITEM HAS BEEN SOLD
Mr Nathl Oldham Mezzotint by John Faber published 1730-50. Nathanial Oldham of Middlesex was a noteworthy character who served with the British Army in India and ‘inherited a fortune which allowed him to indulge his love of field sports and fine art’ (Tate Gallery). The print by Faber is after an oil by Highmore, which is now lost, Highmore and Oldham enjoying a friendship described as ‘very intimate’ (Einberg Edgerton, p. 48). Oldham was a compulsive collector, he spent his vast fortune assembling a variety of objects including natural history specimens which early reports describe as ‘whimsical gimcracks’ rather than articles of merit to men of knowledge and science. His love for curiosities bankrupted him, and despite auctioning off his collection in 1747 was sent to the King’s Bench prison where he died in debt.
John Faber the younger moved to England from Holland at a young age and studied engraving under his father, also John Faber. He became well known for his fine quality mezzotint portraits, completing about 165 in his lifetime. The portrait of Oldham, after the lost oil painting, shows the eccentric gentleman out shooting with a male companion and his loyal dog. It is probably set on his estate at Ealing, where Oldham resided from 1728-1735.
Mezzotint: a manner of engraving on copper by scraping a roughened surface to produce light and shade.
61 cm x 80 cm (framed)
A decorative 19th Century Japanese Imari vase, converted to a lamp.
H: 36 cm
‘Narciflus iuncifolius polyanthosalbus’
Prints by Basil Besler, from Hortus Eystettensis.
Engravings with expert hand colouring.
Some with typical text showing through and minor spots.
Very good condition.
First Edition. 1613
57 cm x 45 cm unframed
Framed: 89 cm x 74 cm
Common name: Lotus Green Magic
Scientific name: Nelumbo nucifera ‘Cochrane’s Green Magic’
Water colour on Lana 100% cotton paper
85 cm x 61 cm
129 cm x 99 cm unframed
$8,900
Note: This subject is painted life six from samples grown by Blue Lotus Nursery. This variety was bred by the owner from Chinese seed he himself collected and imported from China. The original painting includes an extra new leaf emerging on left side as seen in photo below.
‘Mudela-nila-hummatu’
Hortus Indicus Malabaricus
Hendrik Draakestein
The first complete flora from the East Indies. A very fine example of hand coloured copper engraving.
Amsterdam
1686
Besler – ‘Lilium purpureum maws Dodenei’
Prints by Basil Besler, from Hortus Eystettensis.
Engravings with expert hand colouring.
Some with typical text showing through and minor spots.
Very good condition.
First Edition. 1613
53 cm x 43 cm unframed
Framed: 89 cm x 74 cm
‘Absence’
Carmel Jenkin, Melbourne Artist
Acrylic on Canvas
2014
122 cm x 122 cm
The British Herbal.
18th Century Hand coloured copper engraving ‘Golden Scalewort’ Page 97 by John Hill.
1785
Stock AA0782
‘He jumped into the Billabong’
Douglas Stubbs
Signed, Stubbs – 5 – 1974
A painting having vibrant colours and great imagination.
Oil on board
1927 – 2008
94 cm x 124 cm
Stock CMG500
Bloss 20
by
Ian Bonde
Wood, Polyurethan and Gilsonite Resin
2010
92 cm x 50 cm x 7 cm
‘Fuji cherry blossoms’ Oil on canvas by Jacqueline Fowler.
W. 108cm H. 93.cm including frame.
$9,800
Stock AA0734
Arnwekery (Bush Plum) Dreaming
Gracie Pwerl Morton
This painting describes the search for bush tucker across the Central Desert landscape which is an important part of Aboriginal life.
Gracie (born 1956) specializes in painting the Bush Plum Dreaming, also known to the Alyawarre as Arnwekety. Her style of painting is distinctively minimalist and she uses a very delicate dotting technique and traditional colours, which derive from the colours of natural ochres.
Acrylic on linen
2004
112 cm x 181 cm
Provenance – Redrock Gallery Melbourne 2004