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The first complete flora from the East Indies. A very fine example of copper engraving.
My favourite botanical master of the 16th, 17th, 18th and 19th centuries.
1686 ‘Hortus Indicus’ was published in Amsterdam.
I have hundreds of pieces to clear.
Over 100 pieces of art, rare 17th to 20th century pieces of furniture.
Ceramics, glassware including contemporary, mirrors etc…
So all stock reduced by 50%
Many perfect special gifts for Christmas ✨
Looking forward to seeing you soon…
Clearing space for final months of trade.
Late 18th Century French Chestnut Armoire
H.223cm W.126cm D.64cm
Rare 18th Century French Solid Yew Wood Armoire
H.230cm W.135cm D.60cm
Late 18th Century French Oak Armoire
H.241cm W.160cm D.70cm
First half 18th Century provincial walnut dresser/buffet & rack
H.232cm W.126cm D.64cm
18th Century French faded Buffet Deux Corps
H.238cm W.136cm D.50cm
18th Century French Oak Buffet Deux Corps
H.230cm W.120cm D.50cm
Today Mali Moir’s most recent magical works arrived.
I’m doing this quick post, including a brief showcase of our working history and friendship over the years.
Image references from Jamie’s book of birds. ‘Birds. The Art of Ornithology’
Watercolour on 100% Arches cotton paper.
~50 x 63cm rough cut ‘deckle’ edges.
17th century fish 1680. 1930 oil of Anne Bonney, an 18th century Irish pirate, painted by Raymond Lindsay (son)
One of collection of framed watercolours of birds 1827. Various nudes. Portrait of English gentleman, resembling Captain Cook.
Italian school portrait of a Roman dignitary. One of a collection of Picasso’s, Le Chat. One of many 17th century English maps. Victorian landscape by G Pillig 1940s.
Scottish highlands. A bright Margaret Tarrant. Napoleon hand coloured lithograph. 19th century NZ landscape.
Soldier 1607 – de Gheyn & Soldier 19th century.
Charcoal of a kitten by Mali Moir,
Exceptional Australian artist and close friend.
See more of her works on my website under Contemporary Art also many in Archives.
Hortus Indicus Malabaricus by Hendrik Draakestein 1686.
The first complete flora from the East Indies. A very fine example of copper engraving.
My favourite botanical master of the 16th, 17th, 18th and 19th centuries.
1686 ‘Hortus Indicus’ was published in Amsterdam.
Black Kitten Martini by Mali Moir 2020
Charcoal on paper
Frame:
H. 82cm
W. 70cm
Mali Moir – Maned Wolf
‘Chrysocyon brachyurus’ Maned wolf IUCN Red List -NT’
Charcoal on cotton canvas
114cmH x 134cmW
$7,000
The Maned wolf (Chrysocyon brachyurus) is the largest canid of South America, its long legs are likely an adaptation to the tall grasslands of its native habitat. The Maned wolf is primarily solitary and is not closely related to any other living canid. It is not a fox, wolf, coyote, dog, or jackal, but a distinct canid and is the only species in the genus Chrysocyon. The maned wolf’s evolutionary relationship to other members of the canid family makes it a unique animal and considered the only species among the large South American canids that survived the late Pleistocene extinction. Today it is a rare and protected species. The most significant threat to the survival of the remaining Maned wolf populations is habitat loss, domestic dogs and hunting.
THE RED LIST
Hypotype – Cape Warthog Phacochoerus aethiopicus aethiopicus IUCN Extinct
Charcoal on cotton canvas
122 x 190 cm
$ 11,500
Recently on exhibition at Melbournes Metro Gallery, now displayed at Allpress inc
Phacochoerus aethiopicus aethiopicus, originally native to South Africa, this subspecies became extinct around 1871. Cape warthog specimens held in museums lack locality records and the full extent of the Cape warthog’s former distribution remains unknown. There is no mention of this subspecies being obtained after 1860. The Cape warthog and the Dessert warthog are very similar in appearance, one difference is a lack of functional incisors.
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali was awarded a Gold Medal by The Royal Horticultural Society London and an invited exhibitor to the Hunt Institute for Botanical Documentation USA. She is recipient of an inaugural Celia Rosser Medal and twice finalist in the Waterhouse Art Prize. Mali was the first Australian to receive the Focus On Nature Purchase Award by New York State Museum USA. She exhibits widely in Australia and internationally and has produced many works for private, public and corporate collections.
Mali has great interest working in the area of conservation and was proud to donate a painting for the charity auction ‘Name a New Species of Shrimp’ held by Australian Marine Conservation Society in association with Museum Victoria, Mali also contributes to ‘Art for Sharks’ with AMCS.
Mali has a keen interest for artistic interpretation of natural history themes in the Accurate Realism style, approaching her work with traditional techniques whilst developing a fresh contemporary look. Mali executes works on paper with the consummate skill of a dedicated artist as she combines her fascination for science and nature with an active desire to render works of art with beauty, character and scientific merit.
Mali abides with her sincere belief that “artists make science visible”.
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali was awarded a Gold Medal by The Royal Horticultural Society London and an invited exhibitor to the Hunt Institute for Botanical Documentation USA. She is recipient of an inaugural Celia Rosser Medal and twice finalist in the Waterhouse Art Prize. Mali was the first Australian to receive the Focus On Nature Purchase Award by New York State Museum USA. She exhibits widely in Australia and internationally and has produced many works for private, public and corporate collections.
Mali has great interest working in the area of conservation and was proud to donate a painting for the charity auction ‘Name a New Species of Shrimp’ held by Australian Marine Conservation Society in association with Museum Victoria, Mali also contributes to ‘Art for Sharks’ with AMCS.
Mali has a keen interest for artistic interpretation of natural history themes in the Accurate Realism style, approaching her work with traditional techniques whilst developing a fresh contemporary look. Mali executes works on paper with the consummate skill of a dedicated artist as she combines her fascination for science and nature with an active desire to render works of art with beauty, character and scientific merit.
Mali abides with her sincere belief that “artists make science visible”.
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali was awarded a Gold Medal by The Royal Horticultural Society London and an invited exhibitor to the Hunt Institute for Botanical Documentation USA. She is recipient of an inaugural Celia Rosser Medal and twice finalist in the Waterhouse Art Prize. Mali was the first Australian to receive the Focus On Nature Purchase Award by New York State Museum USA. She exhibits widely in Australia and internationally and has produced many works for private, public and corporate collections.
Mali has great interest working in the area of conservation and was proud to donate a painting for the charity auction ‘Name a New Species of Shrimp’ held by Australian Marine Conservation Society in association with Museum Victoria, Mali also contributes to ‘Art for Sharks’ with AMCS.
Mali has a keen interest for artistic interpretation of natural history themes in the Accurate Realism style, approaching her work with traditional techniques whilst developing a fresh contemporary look. Mali executes works on paper with the consummate skill of a dedicated artist as she combines her fascination for science and nature with an active desire to render works of art with beauty, character and scientific merit.
Mali abides with her sincere belief that “artists make science visible”.
THE RED LIST
Hypotype – Cape Warthog Phacochoerus aethiopicus aethiopicus IUCN Extinct
Charcoal on cotton canvas
122 x 190 cm
$ 11,500
Recently on exhibition at Melbournes Metro Gallery, now displayed at Allpress inc
Phacochoerus aethiopicus aethiopicus, originally native to South Africa, this subspecies became extinct around 1871. Cape warthog specimens held in museums lack locality records and the full extent of the Cape warthog’s former distribution remains unknown. There is no mention of this subspecies being obtained after 1860. The Cape warthog and the Dessert warthog are very similar in appearance, one difference is a lack of functional incisors.
