Mali Moir - Lotus Australian native - 2009

Mali Moir – Lotus Australian native – 2009

Common name: Lotus Australian native

Scientific name: Nelumbo nucifera

Water colour on Lana 100% cotton paper.

85 cm x 61 cm (unframed)

129 cm x 99 cm (framed)

$8,900

Note: This subject is painted life size from samples grown by Blue Lotus Nursery Vic.

Carmel Jenkin - Back Pose - 2008

Carmel Jenkin – Back Pose – 2008

Stock CCJ502

‘Back Pose’

Carmel Jenkin, Melbourne Artist

Ink, Acrylic on Canvas

There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.

2008

$2,500

100 cm x 75 cm

Carmel Jenkin - Standing Tall - 2008

Carmel Jenkin – Standing Tall – 2008

Stock CCJ501

‘Standing Tall’

Carmel Jenkin, Melbourne Artist

Ink, Acrylic on Canvas

There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.

2008

$2,500

100 cm x 75 cm

Carmel Jenkin - Embrace - 2009

Carmel Jenkin – Embrace – 2009

Stock CCJ500

‘Embrace’

Carmel Jenkin, Melbourne Artist

Framed Mixed Media – Ink, oil, Charcoal on canvas

There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.

2009

$3,250

79.5 cm x 79.5 cm