22 x original hand coloured copper engravings by Elizabeth Blackwell 1730 Arrived in showroom recently, one of the largest botanical collections I’ve purchased at one time. Original hand coloured copper engravings by Elizabeth Blackwell 1730 ‘A Curious Herbal’ was published between 1737 and 1739. The book contained the first illustrations of many odd-looking, unknown plants from the New World. 64.5 cm x 51.5 cm Instagram video
Beautiful pieces of art within my showroom. Over 150 framed and many dozens of unframed 16th – 19th century European and Japanese botanicals. 17th century fish 1680. 1930 oil of Anne Bonney, an 18th century Irish pirate, painted by Raymond Lindsay (son) One of collection of framed watercolours of birds 1827. Various nudes. Portrait of English gentleman, resembling Captain Cook. Italian school portrait of a Roman dignitary. One of a collection of Picasso’s, Le Chat. One of many 17th century English maps. Victorian landscape by G Pillig 1940s. Scottish highlands. A bright Margaret Tarrant. Napoleon hand coloured lithograph. 19th century NZ landscape. Soldier 1607 – de Gheyn & Soldier 19th century. Charcoal of a kitten by Mali Moir, Exceptional Australian artist and close friend. See more of her works on my website under Contemporary Art also many in Archives.
Two framed original hand coloured copper engravings by Elizabeth Blackwell 1730 Round Birthwort & Spinage 63 x 47cm Framed. Remarkable, The botanicals and chest were made within a decade of each other.
My simple yet elegant Melbourne Spring Racing Carnival window display. Unusual contemporary sculptured brass horse head on stand. Wearing a black fascinator. Now resting on a 18th century English oak lowboy in window display. If you search “Sculpture” on my website, the same one in my apartment can be seen. DM me for pricing. H.44cm W.12cm D.22cm
Some of the rare 17th – 19th century European copper engravings and a painting resembling a young Captain Cook. Willughby Fish 1680. 18th century portrait of a gentleman (resembling a young Captain Cook) The Exercise of Arms – Prince of Orange 1607, Napoleon – Glory of France – Fr Wentzel S’Jaques 65, Paris. Seals of Nobility, Scotland 1750. Scroll through my website to see many more.
Pair of 17th century botanical engravings by Jan Jansson Hand coloured copper engravings in walnut frames Leuconium & Hyacinth Framed 63 x 47cm
Stunning mid century Italian Murano green and red Sommerso vase. Couldn’t help taking them all home. Mid century Italian Murano green and red Sommerso glass vase. 1955 30cm x 12cm Three 19th Century English glass dumps. 15cm 12.5cm 7cm Unusual Italian retro style brass and glass ball cluster table lamp on marble base. 57cm x 44cm
Arriving from Europe soon. Eight Beslers Several of these I’ve never stocked before. Type ‘Besler’ into search to see many examples I’ve sold over the years… Prints from the first edition of Hortus Estettensis by Basil Besler. First edition 1613 second 1641, third 1713.
Redouté – A decorative framed arrangement of five early 19th Century hand coloured citrus engravings. These wonderful rare hand coloured copper engravings hung in my home for many years. Now too wide to fit into my apartment, I’m selling. 1830 H.77cm W.175cm Photography by Russell Winnell Photography
Unusual contemporary brass sculptured horse head on stand I purchased this unusual sculpture from a supplier recently. I’ve featured in a display and taken home to play with. This morning I’ve ordered two more to sell, as I’m keeping this one! DM me for pricing. H.44cm W.12cm D.22cm
A Rare pair of Early 18th Century English Copper Engravings of Grand English Estates By Jan Kip and Leonard Knyff 1720 57 x 70cm Johannes “Jan” Kip Amsterdam 1652 – 1722 Jan Kip was a Dutch draftsman, engraver and print dealer. Kip and Leonard Knyff, made a speciality of engraved aerial views of English country houses and estates. Personally, I find his work astounding and so ahead of his time. Kip remains my favourite of all architectural artists. *Maison du Seigneur *Burlington House Pickadilly Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam.[1] After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill’s A Collection of Voyages & Travels (first published 1704). He signed the African scenes in volume V of the 1732 edition as “J. Kip”. His most important works were the large fold-out folio illustrations for Britannia Illustrata, 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, The Ancient and Present State of Glostershire, 1712 (1st edition); and for Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne, 1715, an extended reprint in collaboration with other artists.
Draakestein – A collection of 15 unframed prints – Hortus Indicus Malabaricus – 1686 Hortus Indicus Malabaricus by Hendrik Draakestein The first complete flora from the East Indies. A very fine example of copper engraving. My favourite botanical master of the 16th, 17th, 18th and 19th centuries. 1686 ‘Hortus Indicus’ was published in Amsterdam. To me, he was the master. Posted are several of his more attractive florals. My showroom always boasts at least six Draakestein’s. Also, in my apartment I have one, but once completed hanging, I’m sure I’ll place at least one more. On top of his distinctive style, he wrote the name of each subject to the top right of each page in, Latin, Malaysian, Indian and Arabic. Truly fascinating. Hortus Indicus Malabaricus by Hendrik Draakestein 46 x 38 cm (unframed) CGW381539-7
Using interesting, unusual fruits and vegetables in my displays, rather than floral. These natural shapes and colours blend with period furniture so well, whereas bright loud flowers can take the attention away from the piece or entire display. Well, that’s how I see the scheme of things… These are ‘Buddha’s Hand’ From East Asia. They sit so well on 18th-19th century English pewter chargers and compliment my beautiful 18th century English country oak chest of drawers. As well as the Mid 17th century hand coloured copper engraving ’pseudo struthium’ by Basil Besler 1640 (above). Loving my time spent creating displays in my showroom. 18th Century English country oak and walnut X-banded chest of drawers AA2128 The rectangular walnut x-banded oak top, above two short, then three long walnut x-banded, cock-beaded drawers, having brass stuart-drop handles. Resting on the original high shaped bracket feet. Good overall faded colour and patination. 1780-1800 H.1m W.95.5cm D.53cm
An Attractive First Quarter 20th Century 12″ Terrestrial Table Globe By Weber Costello Co. Chicago Heights, Illinois. I love the steel Art Nouveau stand and the depth of colours to the globe. Dating this globe is easy, firstly the overall aging and restorations to the globe, then the original Nouveau period stand. But most interestingly is the names of cities and states around the world in 1925 had been changed. In 1926 we had ‘Central Australia’ as another state. This only lasted until 1931. Constantinople was officially renamed Istanbul in 1930, among other interesting differences. 1925 50 x 30cm