From usage over the past 150 years the finish has naturally worn off, leaving a beautifully faded raw patina.
The rectangular single plank moulded seat having attractive figured oak grain.
Above deep upright gouge carved skirts, with a pretty fine scratch-carved flower over all.
Raised on beautifully carved fine lined Jacobean style barley-twist legs.
Joined by the two remaining long stretchers.
C.1870
I’m explaining this table in full detail, to show why I love English country oak, elm, chestnut, ash, fruitwoods, walnut and beech, as no two pieces really are quite the same.
(Unlike town pieces, especially 18th – 19th century mahogany’s, predictably perfect.)
Such an interesting table, with various periods included in the making.
A customer brought in this exceptional copy of a mid 19th century English comb-back ash and elm Windsor armchair yesterday, such a good late 20th century copy, in every way.
I don’t sell copies, but remembered another customer was wanting an original, I called and showed her this one. SOLD!
Certainly priced accordingly, but two very happy customers.
A rare George III English oak dish-top lamp table.
C.1770
H.69cm Dia.41.5cm
Hanging above, “Caunga”
Hand painted copper engraving,
by Hendrik Draakestein.
The first complete flora from the East Indies.
Amsterdam 1686
The well patinated two plank cleat-moulded top, above two short, then three long graduated narrow moulded drawers, having brass swan-neck handles.
Resting on classic shaped bracket feet.
Great overall faded patina.
C.1770
The well patinated two plank moulded top, above a small central cock-beaded drawer, flanked by two longer drawers, having later but appropriate 19th century solid backplate brass handles,
above an attractive shaped lower mould, resting on turned column front legs and plain rectangular rear legs.
1780 – 1820
H.85cm
W.160cm
D.45cm
I sold this low dresser over 30 years ago, via interior designer Barb Brownlow and re purchased from same customers.
Rarely does pine resemble oak so well.
Centuries of waxes and different polishes creates this patina.
The cross-banded quarter panelled, moulded top, above two short then three long graduated drawers with book-matched veneers and narrow cross-banding, retaining all original brass-work.
The drawers flanked and separated by classic walnut double moulds, resting on plain bracket feet.
This chest is entirely made from single planks of timber, including the unseen floor (see last photo) which we discovered while lifting through to showroom.
The quarter sawn top and sides showing figurative grain, top with applied shaped mouldings.
The four long graduated drawers with later but appropriate brass-work (also unusual as generally two short then three long drawers).
The well patinated oak cleated, thumb moulded top, above a narrow central drawer and matching lower panelled door, flanked by two banks of three mahogany x-banded graduated drawers,
with brass swan-neck handles. The facing front corners have stylish quarter columns and deep panelled sides. Resting an ogee shaped squatted bracket feet and matching flowing moulded skirt.
Good overall warm coloured patination.
H.91cm
W.192cm
D.59cm
C.1850
This would certainly be the feature piece in your living or dining room.
While sitting there looking fantastic, the many drawers can store a lot of your precious belongings.
Perfect height to use as a serving table or place into a deep hallway as a stylish entry piece.
Hanging above an arrangement of rare 17th to 19th century European hand coloured copper engravings.
See many on my website under, Works of Art – Botanicals.
The well preserved floral painted top, having a central still life of fruits and butterflies, with flowers and leaves flowing throughout the centre, and an angel putti.
Rosewood cross-banding, with ebony and satinwood stringing.
The gilded fluted skirt, above turned tapered fluted legs.
Late 17th century English oak open low dresser,
The well patinated moulded top, above three double cushion moulded drawers,
one constructed using re used earlier timbers, probably from a 16th/17th century oak coffer.
Resting on baluster turned legs.
(Later apropriate brass work)
1680-1700
H.80cm W.190cm D.49cm
I sold this dresser over twenty years ago, to a customer that later became a very close friend. This dresser was placed into his main office and sat in the entrance with a William Robertson hanging above.
I had this photographed and used as a full page advertisement.
I’m trying to locate this Russell Winnell photograph to help re promote the magnificent piece, along with others I purchased back, that were also full page advertisements pre 2000.
The three plank moulded top, above a plain lower moulded frieze, housing three mitred double cushion drawers, with later, appropriate brass-work.
Resting on baluster turned front legs, with plain rear rectangular legs and plain moulded sides.
Retaining the colourful Italian tassel and key I sold with.
One of the wonderful things about English and French country furniture is they used whatever timbers they had at the time. These drawer linings are an example and often found in 17th-18th century country pieces. Another favourite of mine is how many different timbers are found in the one piece. A French farmhouse table can have three to four different timbers at times. This variance creates the special uniqueness you can only find in country and provincial pieces, as town pieces, as delightful as they are, are more predictably perfect.
