Hendrik Draakestein – ‘Sobena’ – 1686
‘Sobena’
Hortus Indicus Malabaricus
Hendrik Draakestein
The first complete flora from the East Indies.
A very fine example of hand coloured copper engraving.
Amsterdam
1686
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Draakestein ‘Caunga’ 1686
‘Caunga’
Hortus Indicus Malabaricus
Hendrik Draakestein
The first complete flora from the East Indies. A very fine example of hand coloured copper engraving.
Amsterdam
1686
Framed: 92cm x 77cm
CGW381539-1
Mali Moir – Epaulette shark
Mali Moir – Epaulette shark (Hemiscyllium ocellatum)
Watercolour on 100% Cotton
1225 cm x 55 cm
$3900
The Epaulette shark (Hemiscyllium ocellatum) is a species of longtailed carpet shark, family Hemiscylliidae, found in shallow, tropical waters off Australia and New Guinea (and possibly elsewhere). The common name of this shark comes from the very large, white-margined black spot behind each pectoral fin, which are reminiscent of military epaulettes. A small species usually under 1 m (3.3 ft) long, the epaulette shark has a slender body with a short head and broad, paddle-shaped paired fins. The caudal peduncle (to which the tail fin is attached) comprises over half the shark’s length. Adults are light brown above, with scattered darker spots and indistinct saddles.
Mali Moir – Maned Wolf
Mali Moir – Maned Wolf
‘Chrysocyon brachyurus’ Maned wolf IUCN Red List -NT’
Charcoal on cotton canvas
114cmH x 134cmW
$7,000
The Maned wolf (Chrysocyon brachyurus) is the largest canid of South America, its long legs are likely an adaptation to the tall grasslands of its native habitat. The Maned wolf is primarily solitary and is not closely related to any other living canid. It is not a fox, wolf, coyote, dog, or jackal, but a distinct canid and is the only species in the genus Chrysocyon. The maned wolf’s evolutionary relationship to other members of the canid family makes it a unique animal and considered the only species among the large South American canids that survived the late Pleistocene extinction. Today it is a rare and protected species. The most significant threat to the survival of the remaining Maned wolf populations is habitat loss, domestic dogs and hunting.
Mali Moir – Marine
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali Moir – Animals
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali Moir – Horses – 2017
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali Moir – Insects
Mali Moir – Insects
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
An Attractive Contemporary Acrylic
An Attractive Contemporary Acrylic
Indonesia 2014
H 150cm W. 120cm
I traded restoring a dining table for a customer for this painting. A fair trade. After enjoying in my home and now in a low 2.4m ceiling apartment, I’m now selling.
Martin Tighe – Still Water – 2011
Martin Tighe – Still Water – 2011
‘Still Water’
Martin Tighe
2011
Acrylic on board
110 cm x 80 cm
Martin Tighe – 2013
A private commission
by Martin Tighe
of customers children in a field
Painted from an old photo. Fantastic effort Martin!
2013
Redoute – Early 19th Century Redoute hand coloured figs – CGW381535/2
Early 19th Century Redoute hand coloured figs.
C.1830
Pierre-Joseph Redouté, (10 July 1759 – 19 June 1840), was a painter and botanist from Belgium, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large, coloured stipple engravings.
He was nicknamed “the Raphael of flowers” and has been called the greatest botanical illustrator of all time.
In 1786, Redouté began to work at the National Museum of Natural History cataloguing the collections of flora and fauna and participating in botanical expeditions. In 1787, he left France to study plants at the Royal Botanic Gardens, Kew near London, returning the following year. In 1792 he was employed by the French Academy of Sciences. In 1798, Empress Joséphine de Beauharnais, the first wife of Napoleon Bonaparte, became his patron and, some years later, he became her official artist. In 1809, Redouté taught painting to Princess Adélaïde of Orléans.
In the 20th and 21st century, numerous exhibitions in Europe, the Americas and Australia have been devoted to the work of Redouté. The Biodiversity Heritage Library, the Library of Congress and other libraries have made many of his works accessible online and reproductions of his prints are available from virtually all print and poster shops.
Principle Works,
Geraniologia, ed Petri-Francisci Didot (1787–88)
Traité des arbres et arbustes que l’on cultive en France, par Duhamel. Nouvelle édition, avec des figures, d’après les dessins de P. J. Redouté, 7 vols. (1800–1819)
Les Liliacées, 8 vols (1802–1816)
Les Roses,3 vols (1817–1824)
(1817–1824 from Library of Congress) or Rare Book Room (1817 from The Warnock Library). Taschen has also published this as part of its 25th Anniversary series.
Redouté, Pierre-Joseph; with Candolle, Augustin Pyramus (1790). Plantes grasses. Levrault.
Choix des plus belles fleurs et de quelques branches des plus beaux fruits. Dédié à LL. AA. RR. les princesses Louise et Marie d’Orléans (1827) Online facsimile – Biodiversity Heritage Library
Catalogue de 486 liliacées et de 168 roses peintes par P.-J. Redouté (1829)
Alphabet Flore (1835)
Categories: Botanicals, Latest Additions, Works of Arts
Carmel Jenkin – Unravel – 2012
Stock CCJ503
‘Unravel’
Carmel Jenkin, Melbourne Artist
Ink, Acrylic on Canvas
There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.
2012
$1,600
51 cm x 51 cm
Robert Hague – Reel 2004 – CMS500
Robert Hague – Reel 2004.
Robert Hague has been a practicing sculptor for over three decades and during his career he has participated in solo and group exhibitions in Australia, New Zealand, China, Hong Kong and the United Kingdom. Robert was born in Rotorua, New Zealand and re-located to Australia in the mid-1980s.
In 1999 he was awarded ‘The Director’s Prize’ in Sculpture By The Sea, Sydney. In 2000 he received the ‘Waverley Art Prize’ for Sculpture Sydney, and in 2010 he won the Deakin University Contemporary Small Sculpture Award. Robert’s sculptural work is part of corporate and private collections in Australia, China, New Zealand, United Kingdom and the United States.
Robert is based in Melbourne working primarily with bronze and steel. He is fascinated by the radical asymmetry of his work, one that forces continued change in the work through rotation. He sees it as a revelation in the making that is constantly challenging his ways of creative thinking.
This work was inspired by a conversation with an American sculptor, about rotational symmetry. ‘I had argued against symmetry but decided to experiment with rotation after his comments on repetition’. In particular to the Orbis series, the internal cuts make reference to the Maori wood carvings he grew up amongst in Rotorua, New Zealand.
Painted metallised steel. H. 250 x 76 x 54 cm
An exciting enamelled mixed media on canvas – 2012 – AA1912A
An exciting enamelled mixed media on canvas
by
Ngurah Atamja
2012
200 cm x 100 cm