Martin Tighe – The Search – 2011 – CMT510
Martin Tighe – The Search – 2011 -…
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allpressinc.com/store/martin-tighe-the-search-2011-cmt510Martin Tighe – The Search – 2011
‘New Works in Smokey Charcoal’
The A1 size unframed drawings are $3,300
The A2 size unframed drawings are $2,200
105.5 cm x 92 cm (A1 framed of Dash)
I have recently developed a strong interest in creating portraits of horses and hounds in a sophisticated and contemporary art style, exploring dynamic compositions and using the impressive qualities of charcoal. I am engaging in a technicque called ‘sfumato’ where the subjects edges are softly blended imparting an intriguing smoky effect.
I have included examples of my new charcoal artwork collaboration with Allpress Antiques in Melbourne, creating charcoal art inspired by ‘Objects of Virtue’.
This first example of my work is of the much loved whippet ‘Dash’.
Mali Moir
Botanical, Scientific and Natural History Artist.
‘Flight’
Martin Tighe
Jimmy Govenner and wife
2012
48.5 cm x 39 cm
Stock CMT1454
Bronze ‘Victory & Defeat’
By Martin Tighe
6/10
H. 1′ 2″ – 36 cm
W. 1′ 1″ – 33 cm
Stock CMT605
‘Down by the River’
Martin Tighe
2011
117 cm x 89 cm
Mali Moir
Botanical, Scientific & Natural History Artist
Limited edition botanical prints of original watercolour 200/200
2000
21 cm x 29.7 cm
An exciting new project between Jamie Allpress and artist Mali Moir
Charcoal drawings of antique pieces
2014
Common name: Lotus Australian native
Scientific name: Nelumbo nucifera
Water colour on Lana 100% cotton paper.
85 cm x 61 cm (unframed)
129 cm x 99 cm (framed)
$8,900
Note: This subject is painted life size from samples grown by Blue Lotus Nursery Vic.
Three extremely rare 19th Century framed Japanese botanical study water colours.
Stock CCJ502
‘Back Pose’
Carmel Jenkin, Melbourne Artist
Ink, Acrylic on Canvas
There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.
2008
$2,500
100 cm x 75 cm
Stock CCJ501
‘Standing Tall’
Carmel Jenkin, Melbourne Artist
Ink, Acrylic on Canvas
There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.
2008
$2,500
100 cm x 75 cm
Stock CCJ500
‘Embrace’
Carmel Jenkin, Melbourne Artist
Framed Mixed Media – Ink, oil, Charcoal on canvas
There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.
2009
$3,250
79.5 cm x 79.5 cm
Stock CMT600
Bronze ‘Victory & Defeat’
By Martin Tighe
7/10
2011
H. 1′ 2″ – 36 cm
W. 1′ 1″ – 33 cm
“Aethiopis” – No. 240 Prints by Basil Besler, from Hortus Eystettensis. Engravings with expert hand, colouring. Some with typical text showing through and minor spots. Very good condition.
Second Edition. 1644
89 cm x 73 cm
Stock CMT602
‘The Journey’
Martin Tighe
Acrylic on board
2011
117 cm x 89 cm
$4,500.00
Stock CMT1465
‘Going Long’
Martin Tighe
Bronze footballer (2 of 9)
2009
H: 33 cm
W: 30 cm
D: 14 cm