Showing 97–112 of 439 results

Children playing in field

Stock AA1635

‘Children playing in field’

Australian School

Oil on canvas

20th Century

91.5 cm x 182 cm

Valerie O’Neill – Melbourne in Winter – 1980s

Stock AA1218

‘Melbourne in Winter’

Oil on Canvas

1980s

Valerie Marie Therese O’Neill

14/9/1929 – 8/8/2010

Valerie was born on the 14 September 1929. She grew up in Wright Street, Middle Park, and attended the Brigidine Convent, Kilbride, on Beaconsfield Parade.

As a young women she demonstrated prodigious artistic talent and studied under Archie and Amalie Colquhoun, contemporaries of Max Meldrum and later, at the National Gallery School under Sir William Dargie, eight times winner of the Archibald Prize for portraiture.

“Slave Market” by Jay D.

Stock CBC0199

A 20th Century Australian oil on canvas depicting an unusual slave market with naked white slaves.  Painted by a student from the Norman Lindsay School.

“Slave Market”

Signed by Jay D.

After Napier Waller? Norman Lindsay?

C.1930

Mali Moir – WW1 Waler with Bradshaw 1915 – Charcoal

Mali Moir – WW1 Waler with Bradshaw 1915 – Charcoal

Our collective pride of the ledgendary Australian Light Horse is immense.

Austalia sent more than 120,000 horses overseas during the first world war, only one returned.

Walers began as a nickname for ‘New South Waler’s where horse breeding began by Early Settlers using several imported breeds.

The selective breeding program of our great Australian Waler had similar principles as Isaac Asimovs first law of robotics, ‘thou shall not harm a human’.

“This painting was inspired through the ABC radio interveiw by Richard Fiddler on Janet Lane and Ros Sexton’s quest to save the Waler.

The astonishing quality of Waler’s became apparent and my deep admiration and respect for both soldiers and horses was immediate.

During the drawing process of this artwork, I listened to over thirty hours on the history of WW1, I am sorry to say I was mostly unaware of the intensity and horror of this ‘war to end all wars’.”

Mali Moir

Charcoal on canvas

H 1.8m W 1.4m

Mali Moir – Epaulette shark

Mali Moir – Epaulette shark (Hemiscyllium ocellatum)

Watercolour on 100% Cotton

1225 cm x 55 cm

$3900

The Epaulette shark (Hemiscyllium ocellatum) is a species of longtailed carpet shark, family Hemiscylliidae, found in shallow, tropical waters off Australia and New Guinea (and possibly elsewhere). The common name of this shark comes from the very large, white-margined black spot behind each pectoral fin, which are reminiscent of military epaulettes. A small species usually under 1 m (3.3 ft) long, the epaulette shark has a slender body with a short head and broad, paddle-shaped paired fins. The caudal peduncle (to which the tail fin is attached) comprises over half the shark’s length. Adults are light brown above, with scattered darker spots and indistinct saddles.

Mali Moir – Maned Wolf

Mali Moir – Maned Wolf

‘Chrysocyon brachyurus’ Maned wolf IUCN Red List -NT’

Charcoal on cotton canvas

114cmH x 134cmW

$7,000

The Maned wolf (Chrysocyon brachyurus) is the largest canid of South America, its long legs are likely an adaptation to the tall grasslands of its native habitat. The Maned wolf is primarily solitary and is not closely related to any other living canid. It is not a fox, wolf, coyote, dog, or jackal, but a distinct canid and is the only species in the genus Chrysocyon. The maned wolf’s evolutionary relationship to other members of the canid family makes it a unique animal and considered the only species among the large South American canids that survived the late Pleistocene extinction. Today it is a rare and protected species. The most significant threat to the survival of the remaining Maned wolf populations is habitat loss, domestic dogs and hunting.

Mali Moir – Hypotype – Cape Warthog Charcoal

THE RED LIST

Hypotype – Cape Warthog Phacochoerus aethiopicus aethiopicus IUCN Extinct

Charcoal on cotton canvas

122 x 190 cm

$ 11,500

Recently on exhibition at Melbournes Metro Gallery, now displayed at Allpress inc

Phacochoerus aethiopicus aethiopicus, originally native to South Africa, this subspecies became extinct around 1871. Cape warthog specimens held in museums lack locality records and the full extent of the Cape warthog’s former distribution remains unknown. There is no mention of this subspecies being obtained after 1860. The Cape warthog and the Dessert warthog are very similar in appearance, one difference is a lack of functional incisors.

Mali Moir – Marine

Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.

Mali Moir – Animals

Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.

Mali Moir – Horses – 2017

Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.