Valerie was born on the 14 September 1929. She grew up in Wright Street, Middle Park, and attended the Brigidine Convent, Kilbride, on Beaconsfield Parade.
As a young women she demonstrated prodigious artistic talent and studied under Archie and Amalie Colquhoun, contemporaries of Max Meldrum and later, at the National Gallery School under Sir William Dargie, eight times winner of the Archibald Prize for portraiture.
A 20th Century Australian oil on canvas depicting an unusual slave market with naked white slaves. Painted by a student from the Norman Lindsay School.
Mali Moir – WW1 Waler with Bradshaw 1915 – Charcoal
Our collective pride of the ledgendary Australian Light Horse is immense.
Austalia sent more than 120,000 horses overseas during the first world war, only one returned.
Walers began as a nickname for ‘New South Waler’s where horse breeding began by Early Settlers using several imported breeds.
The selective breeding program of our great Australian Waler had similar principles as Isaac Asimovs first law of robotics, ‘thou shall not harm a human’.
“This painting was inspired through the ABC radio interveiw by Richard Fiddler on Janet Lane and Ros Sexton’s quest to save the Waler.
The astonishing quality of Waler’s became apparent and my deep admiration and respect for both soldiers and horses was immediate.
During the drawing process of this artwork, I listened to over thirty hours on the history of WW1, I am sorry to say I was mostly unaware of the intensity and horror of this ‘war to end all wars’.”
Mali Moir – Epaulette shark (Hemiscyllium ocellatum)
Watercolour on 100% Cotton
1225 cm x 55 cm
$3900
The Epaulette shark (Hemiscyllium ocellatum) is a species of longtailed carpet shark, family Hemiscylliidae, found in shallow, tropical waters off Australia and New Guinea (and possibly elsewhere). The common name of this shark comes from the very large, white-margined black spot behind each pectoral fin, which are reminiscent of military epaulettes. A small species usually under 1 m (3.3 ft) long, the epaulette shark has a slender body with a short head and broad, paddle-shaped paired fins. The caudal peduncle (to which the tail fin is attached) comprises over half the shark’s length. Adults are light brown above, with scattered darker spots and indistinct saddles.
‘Chrysocyon brachyurus’ Maned wolf IUCN Red List -NT’
Charcoal on cotton canvas
114cmH x 134cmW
$7,000
The Maned wolf (Chrysocyon brachyurus) is the largest canid of South America, its long legs are likely an adaptation to the tall grasslands of its native habitat. The Maned wolf is primarily solitary and is not closely related to any other living canid. It is not a fox, wolf, coyote, dog, or jackal, but a distinct canid and is the only species in the genus Chrysocyon. The maned wolf’s evolutionary relationship to other members of the canid family makes it a unique animal and considered the only species among the large South American canids that survived the late Pleistocene extinction. Today it is a rare and protected species. The most significant threat to the survival of the remaining Maned wolf populations is habitat loss, domestic dogs and hunting.
Recently on exhibition at Melbournes Metro Gallery, now displayed at Allpress inc
Phacochoerus aethiopicus aethiopicus, originally native to South Africa, this subspecies became extinct around 1871. Cape warthog specimens held in museums lack locality records and the full extent of the Cape warthog’s former distribution remains unknown. There is no mention of this subspecies being obtained after 1860. The Cape warthog and the Dessert warthog are very similar in appearance, one difference is a lack of functional incisors.
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
