An unusually Large 19th Century English Dresden Opaque Ironstone Platter
An unusually large 19th century English Dresden opaque ironstone platter.
C.1820
40 x 52.5cm
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An unusually large 19th century English Dresden opaque ironstone platter.
C.1820
40 x 52.5cm
THE RED LIST
Hypotype – Cape Warthog Phacochoerus aethiopicus aethiopicus IUCN Extinct
Charcoal on cotton canvas
122 x 190 cm
$ 11,500
Recently on exhibition at Melbournes Metro Gallery, now displayed at Allpress inc
Phacochoerus aethiopicus aethiopicus, originally native to South Africa, this subspecies became extinct around 1871. Cape warthog specimens held in museums lack locality records and the full extent of the Cape warthog’s former distribution remains unknown. There is no mention of this subspecies being obtained after 1860. The Cape warthog and the Dessert warthog are very similar in appearance, one difference is a lack of functional incisors.
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali Moir – Insects
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
“Understanding styles and construction of 18th Century furniture”
Thursday 17th May 2012
Over the last 20 years Jamie has given many talks for different institutions and AAADA.
On Thursday 17th May Jamie gave a talk as part of the Autumn/Winter Victorian Seminar Series 2012 run by the AAADA, “Understanding styles and construction of 18th Century furniture”, he thoroughly enjoyed sharing his knowledge and stories with his guests.
Jamie has decided to do this more often and is going to hold several free talks a year in the showroom about decorating with antiques, maintaining your furniture and collections, restoring damaged pieces and general stories of furnishing and the arts.
If you wish to be on the invitation list please send Jamie an email on jamie@allpress-antiques.com.au.
An Unusually Large Late 19th Century French Oak Farmhouse Table
The well patinated top, lifting to reveal four large secret storage compartments
Resting on square tapered legs, joined by an ‘H’ stretcher
I sold this table some years ago and am now re-selling. The table is in need of a good wax up.
1880 – 1900
H. 750cm W. 2230cm D. 1410cm
CDSS500
A Matched Pair of 19th Century English Octagonal Plates A.F. Dia. 22.5cm
A Rare Pair of 18th Century English Chinoiserie Decorated Plates A.F. Dia. 20.5 cm $850
A Framed Copper Engraved World Map by Thomas Bowen 1780 “The World including the late discoveries by Captain Cook and other circum navigators. Carefully laid down to the present time by Thomas Bowen”
Framed H. 47 cm Framed W. 65 cm Map H. 29 cm Map W. 48cm
Hand Coloured Steel Engraving of Suffolk 1850
From the Travelling Atlas of England & Wales
“With all the Railways and Coach Roads, Cities, Towns, Parks & Gentlemans Seats.
“Revised and Corrected To The Present Time” (1850)
Published in London by William Orr and Co.
H. 34 cm
W. 36.5 cm
$165
A Framed 17th Century Hand Coloured Copperplate Engraving of Devonshire by Robert Morden (1695 – 1730)
Produced for the 1695 edition of William Camdens Britannia
H.41 cm W.46 cm
$450
A Framed Map of ‘GLOUCESTER SHIRE By Robert Morden 1695 – 1730 An interesting and attractive framed hand coloured copperplate engraving map of Gloucestershire First published by Robert Morden in 1695, which appeared in Camden’s Britannia (London: Swale, Awnshaw & Churchill, 1695 – 1772) H. 40 cm W. 47 cm
$450
Stock CGW134470-27.1-12
The Exercise of Armes – de Gheyn
An important and early work on military arms commissioned by Maurice of Orange (unframed).
1607
Aldo Tura rare mid 20th Century Italian veneered, goat hide, retro cocktail cabinet/bar
This exceptional piece is very well photographed by Russell Winnell, so no words needed!
This is part of my personal collection, it holds the majority of my spirits and liquors and sits proudly in my home.
This is a one off and would be very hard to part with.
1970.
H. 124 D. 42 W.