2010 I was invited to re-arrange the entire contents of The Johnston Collection, to create my own interpretation and to give visitors to the house a fresh experience.
I heard about the Johnston collection many years ago and on seeing it was ‘enthralled’ by the overall quality and uniqueness of Mr Johnston’s collection.
Visually for me sometimes less is more and my initial reaction was to lighten the content. Thus began a process as an example, I placed one painting where previously there had been two, lots of subtle changes. I certainly don’t appreciate minimalism but on the other hand, I don’t like a cluttered appearance.
2010 I was invited to re-arrange the entire contents of The Johnston Collection, to create my own interpretation and to give visitors to the house a fresh experience.
I heard about the Johnston collection many years ago and on seeing it was ‘enthralled’ by the overall quality and uniqueness of Mr Johnston’s collection.
2010 I was invited to re-arrange the entire contents of The Johnston Collection, to create my own interpretation and to give visitors to the house a fresh experience.
I heard about the Johnston collection many years ago and on seeing it was ‘enthralled’ by the overall quality and uniqueness of Mr Johnston’s collection.
Been some years since I’ve stocked one of these, this one in particular being the largest I have seen.
The large perfectly faded and patinated circular five plank folding top, on two rectangular upright supports, having an attractive lyre-shaped twisting central support, retaining the original steel guide attached below the top. Resting on bold long sledge-feet.
The solid two plank moulded top, with further applied upright moulds, then double moulded drawer dividers, housing two short then three long figured walnut, feather cross-banded graduated drawers, having decorative later brass work. A lower sectioned mould, resting on shaped bun feet.