A decorative antiqued visual montage of the artists favourite objects.
The pretty girl has gathered a pomegranate and auricula flower from the display.
Inspired by 18th – 19th century New England naive portraiture art.
In foreground
Auricula flowers in full bloom
A wooden jardinier with overflowing magnolias
A delftware blue and white urn and pomegranates.
Finished with an antiqued glaze.
107 x 101 cm
Oil on canvas 2022
Below,
An unusual 19th Century French Fruitwood, Burr Elm and Oak Dough bin
Resting on a Wide Kilim Hall Rug. ‘Ardabil’
North East Iran
Wide Kilim Hall Rug
First half 20th Century
In good sound condition
4.8m x 1.36m
Unusually large 18th Century blue and white,
Dr Wall Worcester jug.
I purchased this privately over 30 years ago. I’ve had in my private collection and used in many displays and advertisements over the years.
A decorative 19th century English acanthus leaf styled stoneware jug.
Unusually large 19th century Masons Ironstone mug (my private collection)
Early 19th century English Masons Ironstone jug.
Dated 1813.
Even though I’m retiring soonish, new stocks still arriving. Everything is discounted even if new arrivals…
Part of new shipment arrived from Europe.
Farmhouse tables
One solid pollard oak top
(Can’t wait to restore it)
One with the original matching trestles and bread slide.
Great patination.
One 2m or each drawer leaf 1m each.
So 2-3 or 4 metre cherry farmhouse table.
A couple of fantastic dough bin/coffee tables
English oak dresser
A few decorative Italian Murano glass pieces…
I’ve been very lucky to acquire two; the other is green.
I’ll take one home to see if I can fit it into my ‘becoming very packed’ apartment.
So, either one or both will be sold.
35x18cm
Last quarter 17th-century hand-coloured copper engraving ‘Nilicamaram’ by Hendrik Draakestein 1686 hangs behind.
With contemporary glass ball on brass retro style lamp.
Resting on an early 19th century French Burr Elm & Fruitwood Dough bin/Petrin C1800.
I’ve been very lucky to acquire two; the other is blue.
I’ll take one home to see if I can fit it into my ‘becoming very packed’ apartment.
So, either one or both will be sold.
35x18cm
Last quarter 17th-century hand-coloured copper engraving ‘Nilicamaram’ by Hendrik Draakestein 1686 hangs behind.
With contemporary glass ball on brass retro style lamp.
Resting on an early 19th century French Burr Elm & Fruitwood Dough bin/Petrin C1800.
I visited nearby customers today, to see the framing Vicki Hutchins
did for the three 18th century Elizabeth Blackwells I sold them.
While there I enjoyed some of their other pieces, including the decorative
18th century French walnut panetiere and petrin/dough bin/jardinier.
Three beautiful Botanicals, newly framed.
Elizabeth Blackwell (nee Blachrie) was among the first women to achieve fame as a botanical illustrator.
She was born in Aberdeen in about 1700, but moved to London after she married. She undertook an ambitious project to raise money to pay her husband’s debts and release him from debtors’ prison.
Her project was a book called ‘A Curious Herbal’.
She learned that physicians required a reference book which documented the medicinal qualities of plants and herbs. In order to develop the publication she examined and drew specimens of plants available in the Chelsea Physic Garden. Sir Hans Sloane provided financial support to publish ‘A Curious Herbal’.
Elizabeth Blackwell is notable for being one of the first botanical artists to personally etch and engrave her own designs. This saved the expense of hiring a professional engraver. In total, the enterprise took Blackwell six full years to complete and in the end she was able to release her husband from prison. ‘A Curious Herbal’ was published between 1737 and 1739.
The book contained the first illustrations of many odd-looking, unknown plants from the New World.
