Norwegian Pewter – French Majolica Leaf – 17th Century Draakestein Botanical
20th Century Norwegian Pewter from Oslo.
Late 19th Century French Green Majolica Leaf Plate.
17th Century Dutch Botanical Engraving by Hendrick Draakestein 1686
Showing 609–624 of 830 results
An Unusual First Half 19th Century French Walnut Side Table of Plain Small Proportions
AA2053
An unusual first half 19th Century French Walnut side table of plain small proportions
The rectangular three plank moulded top above narrow skirts having long rectangular fielded panels, with a matching moulded drawer to one short end, retaining the original turned handle.
Note, the drawer is unusually long, running the entire length of the top.
Resting on square slight shaped tapered legs. Fantastic overall rich patina.
C.1840
Willughby Fish
Willughby Fish – Mola Salu – 1680
Francis Willughby (1635-1672)
From the first large work on fishes in England, marking a new era in ichthyology that clearly described and classified fishes according to nature and based on their characteristics drawn only from their structure.
Framed H. 46.5 cm W. 49 cm
A Recent Sale of Eighteen ‘Elizabeth Blackwells’
A Recent Sale of Eighteen ‘Elizabeth Blackwells’
Yet to be professionally photgraphed, these are iPhone photos.
Elizabeth Blackwell (nee Blachrie) was among the first women to achieve fame as a botanical illustrator. She was born in Aberdeen in about 1700, but moved to London after she married. She undertook an ambitious project to raise money to pay her husband’s debts and release him from debtors’ prison.
Three Framed Blackwell Engravings 1730
Blackwell – 1730 – CGW381543
Framing three early Botanicals together without mounts, to me is very elegant. Classic lines will never date.
Elizabeth Blackwell (nee Blachrie) was among the first women to achieve fame as a botanical illustrator. She was born in Aberdeen in about 1700, but moved to London after she married. She undertook an ambitious project to raise money to pay her husband’s debts and release him from debtors’ prison. Her project was a book called ‘A Curious Herbal’. She learned that physicians required a reference book which documented the medicinal qualities of plants and herbs. In order to develop the publication she examined and drew specimens of plants available in the Chelsea Physic Garden. Sir Hans Sloane provided financial support to publish ‘A Curious Herbal’. Elizabeth Blackwell is notable for being one of the first botanical artists to personally etch and engrave her own designs. This saved the expense of hiring a professional engraver. In total, the enterprise took Blackwell six full years to complete and in the end she was able to release her husband from prison. ‘A Curious Herbal’ was published between 1737 and 1739. The book contained the first illustrations of many odd-looking, unknown plants from the New World.
Mali Moir – Epaulette shark
Mali Moir – Epaulette shark (Hemiscyllium ocellatum)
Watercolour on 100% Cotton
1225 cm x 55 cm
$3900
The Epaulette shark (Hemiscyllium ocellatum) is a species of longtailed carpet shark, family Hemiscylliidae, found in shallow, tropical waters off Australia and New Guinea (and possibly elsewhere). The common name of this shark comes from the very large, white-margined black spot behind each pectoral fin, which are reminiscent of military epaulettes. A small species usually under 1 m (3.3 ft) long, the epaulette shark has a slender body with a short head and broad, paddle-shaped paired fins. The caudal peduncle (to which the tail fin is attached) comprises over half the shark’s length. Adults are light brown above, with scattered darker spots and indistinct saddles.
Mali Moir – Maned Wolf
Mali Moir – Maned Wolf
‘Chrysocyon brachyurus’ Maned wolf IUCN Red List -NT’
Charcoal on cotton canvas
114cmH x 134cmW
$7,000
The Maned wolf (Chrysocyon brachyurus) is the largest canid of South America, its long legs are likely an adaptation to the tall grasslands of its native habitat. The Maned wolf is primarily solitary and is not closely related to any other living canid. It is not a fox, wolf, coyote, dog, or jackal, but a distinct canid and is the only species in the genus Chrysocyon. The maned wolf’s evolutionary relationship to other members of the canid family makes it a unique animal and considered the only species among the large South American canids that survived the late Pleistocene extinction. Today it is a rare and protected species. The most significant threat to the survival of the remaining Maned wolf populations is habitat loss, domestic dogs and hunting.
20th Century French Luneville Circular Platter with Tulips
20th Century French Luneville Circular Platter with Tulips
31cm Diameter
An Oval Shaped Late 18th Century Mason Ironstone Dish with Pheasants
An Oval Shaped Late 18th Century Mason Ironstone Dish with Pheasants
33cm long
An unusually Large 19th Century English Dresden Opaque Ironstone Platter
An unusually large 19th century English Dresden opaque ironstone platter.
C.1820
40 x 52.5cm
Mali Moir – Hypotype – Cape Warthog Charcoal
THE RED LIST
Hypotype – Cape Warthog Phacochoerus aethiopicus aethiopicus IUCN Extinct
Charcoal on cotton canvas
122 x 190 cm
$ 11,500
Recently on exhibition at Melbournes Metro Gallery, now displayed at Allpress inc
Phacochoerus aethiopicus aethiopicus, originally native to South Africa, this subspecies became extinct around 1871. Cape warthog specimens held in museums lack locality records and the full extent of the Cape warthog’s former distribution remains unknown. There is no mention of this subspecies being obtained after 1860. The Cape warthog and the Dessert warthog are very similar in appearance, one difference is a lack of functional incisors.
Mali Moir – Marine
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali Moir – Animals
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.
Mali Moir – Horses – 2017
Mali Moir began her career as botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications. By working closely with botanists, Mali has gained an understanding of the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas.