Showing 753–768 of 827 results

The “Mudie’s” of Melbourne – 1889

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The “Mudie’s” of Melbourne (Samuel Mullen’s Circulating Library, Collins Street East)

Sketch by our special artist Mr Melton Prior

The Illustrated London News

19th January 1889

40 cm x 27 cm

Sketches at Melbourne – 1890

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‘Sketches at Melbourne Australia, by our special artist Mr Melton Prior’

1. Taking Tickets for the Saddle Paddock on the Melbourne Racecourse

2. Government House, Melbourne

3. The Grand Stand and Melbourne Racecourse on Cup Day

The Illustrated London News

7th June 1890

40 cm x 27 cm

City of Adelaide – 1886

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‘City of Adelaide – The Capital of South Australia’

The Illustrated London News

29th May 1886

40 cm x 27 cm

Middlesex – John Cary – 1789

A map of Middlesex from The Best Authorities

John Cary 1754 – 1835

Engraved by E. Noble for Cary’s maps in Camden’s Britannia of 1789.

Original hand colour with water stain to top right. Otherwise fine condition. No repairs.

1789

40 cm x 52 cm

Draakestein – ‘Cara-nosi’ – 1686

‘Cara-nosi’

Hortus Indicus Malabaricus

Hendrik Draakestein

The first complete flora from the East Indies. A very fine example of hand coloured copper engraving.

Amsterdam

1686

Draakestein – ‘Pee-amerdu’ – 1686

‘Pee-amerdu’

Hortus Indicus Malabaricus

Hendrik Draakestein

The first complete flora from the East Indies. A very fine example of hand coloured copper engraving.

Amsterdam

1686

Trew – “Bromelia” – 1750 – CGW134463/7a

“Bromelia” Plantae Selectae published by Cristoph Jacob Trew in Nuremberg in 1750. Copper engraving with original hand colour. Trew was a physician and botanist and published his works based on the drawings of Ehret, highly acclaimed artist and ‘gardener’ of his time. Linnaeus, the author of the order of plants as we know it today was so impressed by this work he wrote “The miracles of our century in the natural sciences are your work”. To this day these engravings remain some of the most highly acclaimed and sort after botanical interpretations.

1750

34 cm x 51 cm unframed

Weinman – “Eringium” – 1736

“Eringium” A print by Johann Wilhelm Weinman from “Phytanthoza Icongraphia”. The first botanical work to use colour printed mezzotint successfully. This process was so expensive and labour intensive, the process was not repeated for several decades. One of the finest examples of printed botanical works available.

1736

67 cm x 55 cm

Weinman – “Epidendrum” (479) – 1736

“Epidendrum” A print by Johann Wilhelm Weinman from “Phytanthoza Icongraphia”. The first botanical work to use colour printed mezzotint successfully. This process was so expensive and labour intensive, the process was not repeated for several decades. One of the finest examples of printed botanical works available.

1736

67 cm x 55 cm