David Rabb – CGW134471/7 David Rabb – 1914 -1995 A drawing of a nude. Signed. Studied in New York in the 1930’s. Art Master at Scots College and Knox Grammar. Art tutor for Brett Whiteley.
David Rabb – CGW134471/6 David Rabb – 1914 -1995 A drawing of a nude. Signed. Studied in New York in the 1930’s. Art Master at Scots College and Knox Grammar. Art tutor for Brett Whiteley.
Draakestein – ‘Balam-pulli’ – 1686 ‘Balam-pulli’ Hortus Indicus Malabaricus Hendrik Draakestein The first complete flora from the East Indies. A very fine example of hand coloured copper engraving. Amsterdam 1686
Draakestein – ‘Cametti’ – 1686 ‘Cametti’ Hortus Indicus Malabaricus. Hendrik Draakestein. The first complete flora from the East Indies. A very fine example of hand coloured copper engraving. Amsterdam 1686
Trew – “Pomegranate” – 1750 – CGW134463/7 “Pomegranate” Plantae Selectae published by Cristoph Jacob Trew in Nuremberg in 1750. Copper engraving with original hand colour. Trew was a physician and botanist and published his works based on the drawings of Ehret, highly acclaimed artist and ‘gardener’ of his time. Linnaeus, the author of the order of plants as we know it today was so impressed by this work he wrote “The miracles of our century in the natural sciences are your work”. To this day these engravings remain some of the most highly acclaimed and sought after botanical interpretations. 1750 36 cm x 52.5 cm unframed
Ronald’s Apples – 1850 – CFGW134485-1-15 Ronald’s Apples A selection of 14 unframed mid 19th Century English hand coloured lithographs. Slight foxing to some. Unframed C. 1850 30 x 23 cm
Martin Tighe – Off to Mow a Meadow – 2012 ‘Off to Mow a Meadow’ (First Fleet) Martin Tighe 2012 37 cm x 53.5 cm
AAADA Melbourne Antiques 2014 This fair had the largest participating list of antique dealers we have ever gathered together. The opening night had all proceeds going to UNICEF Australia. I had many beautiful items prepared for the fair including dressers, wine tables, chairs, botanicals and period to contemporary art. The fair also showcased an exciting new concept by myself and Mali Moir (artist) “beautiful drawings of objects of virtu”
Rare 15th -17th Century World Maps – CGW134490 Hand coloured Planiglob der Erde map published by Weimar 1857 Hand coloured Deventer map by Jan Delate Kaart Vandetwee Platte Warelds Joolen 1700 Pair of hand coloured Coronelli (map maker) Planisfer del Mondo maps of the world 1691 Hand coloured Moithey Le Globe terrestre map 1760 Hand coloured Brookes Gaz Ateer’s new map of the world, showing the latest discoveries 1791 Hand coloured Betts Western/Eastern hemispheres map De Lat Der Warelds Zooals hand coloured map 1700
Atlas Title Pages – Rutgert Alberts – 1724 – CGW134489-2 Nieuw Stedeboeck Van Italien Nouveau Theatre D’Italie Tom I 1724
Atlas Title Pages – Rutgert Alberts – 1724 – CGW134489-1 Nouveau Theatre D’Italie Tom III Contenant Les Royaumes De Naples and De Siclie Rutgert Alberts 1724
Djurberg – Polynesien – CGW134488-1 Polynesien Map by Daniel Djurberg ‘Ulimaroa’ – Aboriginal name for Australia 1785 84.5 cm x 62 cm (unframed)
Carmel Jenkin – Heartbroken – 2011 ‘Heartbroken’ Carmel Jenkin, Melbourne Artist Ink, Acrylic on Canvas There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body. 2012 $1,900 56 cm x 56 cm
Carmel Jenkin – Wandering This Path Alone – 2011 ‘Wandering This Path Alone’ Carmel Jenkin, Melbourne Artist Ink, Acrylic on canvas There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body. 2011 $1,900 61 cm x 51 cm
Martin Tighe – Martin’s entry to the 2012 Archibald prize Martin Tighe’s entry to the 2012 Archibald prize at the art gallery of NSW, Sydney Subject Brian Bourke, distinguished Melbourne barrister, over 50 years at the Victorian bar. Barrister in over 55 murder trials including Ronald Ryan’s in 1966. 49 cm x 43 cm
Weinman – “Persicaria” (804) – 1736 “Persicaria” A print by Johann Wilhelm Weinman from “Phytanthoza Icongraphia. The first botanical work to use colour printed mezzotint successfully. This process was so expensive and labour intensive, the process was not repeated for several decades. One of the finest examples of printed botanical works available. 1736 54 cm x 42 cm