There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.
There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.
“Persicaria” A print by Johann Wilhelm Weinman from “Phytanthoza Icongraphia. The first botanical work to use colour printed mezzotint successfully. This process was so expensive and labour intensive, the process was not repeated for several decades. One of the finest examples of printed botanical works available.
Held at the Royal Exhibition Building, one of the world’s oldest remaining exhibition pavilions and is World Heritage listed.
The AAADA Fair offers for sale the finest and most diverse range of fine art and antiques in one place, at one time, in Melbourne. The AAADA fairs are Australia’s only international quality shows. They are fully vetted for authenticity and backed by the reputation of Australia’s finest antique and art dealers.
Johann Wilhelm Weinman ‘Phytanthoza Icongraphia’. The first botanical work to use colour printed mezzotint successfully. This process was so expensive and labour intensive, the process was not repeated for several decades. One of the finest examples of printed botanical works available.
‘When I work with ink on canvas my images become much more detailed. Tools of the trade to the left. I’m always more captivated by the side profiles and keeping a blackened face.’
Carmel Jenkin
2013
56 cm x 89 xm
More of Carmel’s work can be found on her Facebook Page.
A rare mid 19th Century Chinese export Chinoiserie iron-red and blue transfer-printed dragon pattern, part dinner service, having several English copies with Pseudo Chinese marks.
The dinner set has an interesting twist! Would have had several pieces broken, the wealthy owner must have taken the originals to say, the Staffordshire factory and had the set re-built.
If you are searching for something in particular that we do not currently have in stock, we are more than happy to search for it. Given our 40 years of networking, we have been able to establish an impressive list of contacts worldwide. With this, we have the capacity to source almost any piece of furniture, art or decorative item.
You are more than welcome to visit the shop and discuss your interests with Jamie, otherwise you could contact him via 9824 8551 – 0415 555 998 or jamie@allpress-antiques.com.au
