Showing 577–592 of 1047 results

He jumped into the Billabong – 1974 Stubbs

THIS ITEM HAS BEEN SOLD

 
Stock AA0782

‘He jumped into the Billabong’

Douglas Stubbs

Signed, Stubbs – 5 – 1974

A painting having vibrant colours and great imagination.

Oil on board

1927 – 2008

94 cm x 124 cm

Fuji cherry blossom – CJF502

THIS ITEM HAS BEEN SOLD

 
‘Fuji cherry blossoms’ Oil on canvas by Jacqueline Fowler.

W. 108cm H. 93.cm including frame.

$9,800

Gracie Pwerl Morton – Bush Plum Dreaming

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Stock AA0734

Arnwekery (Bush Plum) Dreaming

Gracie Pwerl Morton

This painting describes the search for bush tucker across the Central Desert landscape which is an important part of Aboriginal life.

Gracie (born 1956) specializes in painting the Bush Plum Dreaming, also known to the Alyawarre as Arnwekety. Her style of painting is distinctively minimalist and she uses a very delicate dotting technique and traditional colours, which derive from the colours of natural ochres.

Acrylic on linen

2004

112 cm x 181 cm

Provenance – Redrock Gallery Melbourne 2004

Autumn – Giblett-Denys

THIS ITEM HAS BEEN SOLD

 
Stock AA1331

Autumn

Signed Giblett-Denys

Framed 20th Centuy acrylic on canvas

122 cm x 183 cm

Grapes in Focus – 2010

THIS ITEM HAS BEEN SOLD

 
Stock AA1585

‘Grapes in Focus’

Acrylic on canvas 2010

61 cm x 80 cm

Mali Moir – Spear Lily Detail – 2011

THIS ITEM HAS BEEN SOLD

 
Stock CMM500

Spear Lily Detail

Mali Moir

Mixed media (oil on low saturation printed canvas, the print simply acts as a sketch). The original watercolour painting is a life size depiction of an endemic Australian lily named Doryanthes Palmeri.

This painting won the Focus on Nature Purchase Award in 2006, the first Australian artist to do so. It is now part of a permanent collection of the New York State Museum, USA

50 cm x 150 cm

2011

Carmel Jenkin – Black & White Figure

THIS ITEM HAS BEEN SOLD

 
Stock AA1561

‘Black & White Figure’

Carmel Jenkin, Melbourne Artist

There are no obstacles in Carmel Jenkin’s work. Her nudes are for: ‘getting emotion out there’ . To achieve this, she brings the nude right up to the picture plane, to directly involve the viewer with the subject. While there is an element of abstraction in her work, the female ambience, as if the artist’s eye got so close she could see the nude as emotion in a series of curved shapes. These works are raw and immediate and usually have a distorted and linear form. They may portray a sense of naked angst but, at the same time, show possession of a deeply spiritual soul. At the risk of exclusionism one wonders if these works, drawn by a woman, are a language to be read and pondered by other women. Either way, Carmel Jenkin is engaged in a passionate journey of artistic and life discovery through the female body.

Oil on canvas

21st Century

153 cm x 153 cm