Bivalubus (shells) Chonchology – 1687
Stock CGW0107
Bivalubus (shells) Chonchology Historiae Conchyliorum
One of the earliest published books dedicated to the subject of Chonchology
(etching and engraving) x 8
1687
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Stock CGW0107
Bivalubus (shells) Chonchology Historiae Conchyliorum
One of the earliest published books dedicated to the subject of Chonchology
(etching and engraving) x 8
1687
Stock CGW134468-5.3
‘The improved Long Horned or New Leicester Bull’
G. Garrard
Early 19th Century English copper engraving, original hand colouring.
London prints
1800
41 cm x 51 cm
Stock AA1234
Four early 20th Century framed hand coloured copper engravings of London landmarks. (reframed)
By Edward King
1920
Vertical
48.5 cm x 33 cm (unframed)
79 cm x 60.5 cm (white wash frame)
73 cm x 58 cm (black frame)
Horizontal
33 cm x 48.5 cm (unframed)
60.5 cm x 79 cm (white wash frame)
58 cm x 73 cm (black frame)
Besler – ‘Eryngium Pannonicum’ – First edition 1613 By Basil Besler, from Hortus Eystettensis. First edition engravings with expert hand colouring. Some with typical text showing through and minor spots. Very good condition.
Basilius Besler
Geranium moscatum odoratum.
‘Geranium Fuscum‘
First edition
1613
Hand coloured copper engraving.
96 x 82cm
‘Ocimum’ Prints by Basil Besler, from Hortus Eystettensis. Engravings with expert hand colouring. Some with typical text showing through and minor spots. Very good condition.
Third Edition
1713
92 cm x 77.5 cm
“Anagyris” Prints by Basil Besler, from Hortus Eystettensis. First edition engravings with expert hand, colouring. Some with typical text showing through and minor spots. Very good condition.
Besler – Xylosteon alterum Dodonei
First Edition, Elcstatt’s Folio 1613.
Engravings with expert hand colouring.
Some with typical text showing through and minor spots.
Very good condition.
1613
Besler – ‘Cistusflore albo’
Prints by Basil Besler
Engravings with expert hand colouring.
Some with typical text showing through and monor spots.
Very good condition.
First edition 1613
“Ocimum” – No. 235 Prints by Basil Besler, from Hortus Eystettensis. Second edition engravings with expert hand colouring. Some with typical text showing through and minor spots. Very good condition.
1644
89 cm x 73 cm
“Horminium” Prints by Basil Besler, from Hortus Eystettensis. First edition engravings with expert hand colouring. Some with typical text showing through and minor spots. Very good condition.
1613
Folium Prints by Basil Besler from Hortus Eystettensis. Third edition engravings with expert hand colouring Some with typical text showing through and minor spots.
Very good condition.
1713
95.5 cm x 78.5 cm
Amaranthus Tricolor” Prints by Basil Besler, from Hortus Eystettensis. First edition, Elcstatt’s folio 1613, and third edtion 1713. Engravings with expert hand, colouring. Some with typical text showing through and minor spots. Very good condition.
” Matricaria” Prints by Basil Besler, from Hortus Eystettensis. Engravings with expert hand, colouring.Some with typical text showing through and minor spots. Very good condition. First Edition. 1613
58 cm x 46 cm unframed.
‘Scarbiosa’ Third Edition engravings with expert hand colouring. 1713
92 cm x 77 cm
Prints from the first edition of Hortus Estettensis by Basil Besler<. Basil Besler (1561-1629) was a Nuremberg apothecary who had as his patron the Prince Bishop of Eicstatt (near Nuremberg). While in charge of the bishop’s elaborate gardens, Besler, with the financial support of his patron, undertook his great project of botanical illustration, “Hortus Eystettensis” (Garden of Eicstatt). Off and on for sixteen years he created drawings which, with the help of six skilled engravers, were turned into two large folio volumes of 374 plates, illustrating more than one thousand flowers. The prints were arranged by seasons, with the plants shown whole and life size. The first edition of Hortus Eysttensis was published in 1613. Besler’s monumental florilegium invites the use of superlatives when describing it. It was the most comprehensive as well as the largest early work of its kind. It is also one of the most delightfully drawn and visually impressive every made. Each plate is wonderfully designed with the rhythmic pattern of the roots and stems, as well as the calligraphic invention of the lettering fully developed. These are truly joyous prints from one of the most outstanding works of botanical illustration of all time. Copper engravings with expert hand colouring. Some with typical text showing through and minor spots.
Very good condition. First edition 1613