Basil Besler’s (1561-1629) great botanical work, “Hortus Eystettensis” is a landmark of botanical documentation and pre-Linnaean classification, as well as one of the most splendidly stylized and aesthetically powerful botanical works ever produced. This original hand-colored copperplate engraving, Melocactos, Pl. 254, is in excellent condition with light foxing and evidence of verso page text. Illustrated on this engraving are flowers commonly known as Pink Maltese cross, Scarlet Maltese cross and White Maltese cross. Expertly hand-colored, these herbaceous perennial plants are different shapes and colored in greens and browns, with purple, cacti-like buds on the center plant. Maltese cross plants are commonly used in gardens as decoration and were sown in Monticello by Thomas Jefferson in 1807. Basil Besler was an apothecary and botanist who managed the gardens of Bishop Johann Conrad in Eichstatt, Germany . The Bishop’s remarkable garden was one of the most extensive in Europe, containing a huge variety of European shrubs and flowering plants, as well as exotic specimens from Asia and the Americas. Besler used this encyclopedic resource as the basis for the “Hortus Eystettensis”, in which he studied and depicted over a thousand flowers, representing 667 species in all. With the Bishop’s patronage, he worked both as artist and publisher, directing a team of ten artists and engravers in creating 367 plates over 16 years. Published one hundred and fifty years before Linnaeus created his thorough system of classification; Besler’s great florilegium represents an impressive early attempt to classify plants for the benefit of botanists, doctors and apothecaries. Each plant is given a distinct and often descriptive Latin title, and related species are grouped together on the same plate, or over a series of plates. Almost all specimens are shown complete and accurately colored, including delineations of their root systems. While Besler’s work is obviously motivated by a scientific impulse to document and describe a remarkable collection of species, the beautiful presentation and dramatic stylization of the illustrations also convey a sense of the visual grandeur of the Bishop’s great garden. Each specimen is placed on the page with an artist’s understanding of formal and spatial relations. Most notably, the stylized depiction of foliage and root systems betrays a lively baroque sensibility, as the plants seem to dance across the page. This illustration of various flowers is among the most dramatic and desirable of Besler’s illustrations.
Hand coloured lithographs, “Illustrations of the Natural Orders of Plants’
Grand daughter of Richard Twining, wealthy tea merchant and widely know for the famous tea label. Elizabeth shared her time between philanthropy and study of botany which inspired her to publish this work, suggesting a new approach to plant families in contrast to the already established Linnaeus System, the later which is still used today.
Although her work was an interesting challenge, it was not recognized in society. Her groupings and artistic presenting are very attractive, this work is rare.
First edition, Elcstatt’s folio 1613, and third edtion 1713. Engravings with expert hand, colouring. Some with typical text showing through and minor spots. Very good condition.
First edition, Elcstatt’s folio 1613, and third edtion 1713. Engravings with expert hand, colouring. Some with typical text showing through and minor spots. Very good condition.
A Portsea home that Brownlow Interior Design decorated using some of our art and furniture.
Natural history study of an Antarctic crab.
Jules Sebastien Cesar Dumont d’Urville (editor), Borromée (painter), Bougeard (illustrator) and Victor (engraver) from Voyage au Pole – 1837, 1838, 1839, 1840.
Voyage to the South Pole and through Oceania on the Corvettes – 1842
19th Century French walnut serpentine front commode, having the original marble top, with an unusual pattern. Above four long graduated drawers with the original brass work. Flanked by carved top carbels and panelled sides. Resting on cabriole legs; all with flowing carved decorations.
Note: Interesting drawer linings especially drawer three.
