Coronelli Map – 1690 – CGW134492
Showing ‘HET NIEW HOLLANDT’ Australia
1690
H: 48 cm W: 33.5 cm
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Showing ‘HET NIEW HOLLANDT’ Australia
1690
H: 48 cm W: 33.5 cm
Sahar Rug Collection
Transition Design (SH002010)
Pure Wool Background with Pure Silk Pattern, Organic Dyes
Hand woven in India
207 cm x 287 cm
Stock No. 101355
Woven Legends Rug Collection
Tigis Design
Pure Wool, Organic Dyes
Hand woven in Turkey by Woven Legends
300 cm x 419 cm
Stock No. 4708-1
The well patinated oval drop-side top, supported by four turned tapered legs, terminating on a pad foot.
Note: When closed perfect use as a hall or sofa table. When sofa table open one drop-side up to make a “D” shaped drinks table. Or fully opened as an attractive oval dining table. Good overall colour and patination.
C. 1760
H: 72 cm W: closed 41 cm, open 142 cm D: 130 cm
Thailand 2010
169 cm x 140 cm
allpressinc.com/store/martin-tighe-the-search-2011-cmt510Martin Tighe – The Search – 2011
‘Picasso en marge du Buffon’
Published by Jonquieres (Paris) 1957
Limited edition lithographs
Printed in France
73 cm x 58 cm
‘Picasso en marge du Buffon’
Published by Jonquieres (Paris) 1957
Limited edition lithographs
Printed in France
73 cm x 58 cm
Hand coloured botanical engravings by Jacques Barrelier. A French botanist, Barrelier was born in Paris 1606 and died 17th September 1673. He renounced the medical profession to enter the Dominican order. In 1646 he was selected as assistant of the general of the order on one of his tours of inspection, travelled through France, Spain and Italy, collected numerous specimens of plants and also founded and superintended a splendid garden in a convent of his order at Rome, where he remained for many years. He afterward returned to Paris and entered the convent in the rue St Honore. He left unfinished a general history of plants, to be entitled Hortus Mundi. The copperplates of his intended work and such of his papers as could be found, were collected and made the basis of a book by Antonine de Jus-sieu, Plantae per Galliam, Hispaniam et Itali-iam obwervatae, etc. (folio, Paris, 1714).
33 cm x 21 cm (unframed)
Abraham Munting, Naauwkeurige Beschryving Der Aardewassen
Fine copper engravings with later hand colouring. Florilegiums (Botanical works) of this period were produced in the main for scientific studies and research and usually illustrated just the plant itself. What makes Muntings work stand apart is the fashion in which he displayed his speciments (usually) floating above a landscape or village scene. Not satisfied with that, he had the name of the plant within a floating banner.
C. 1696
39 cm x 26 cm (unframed)
Abraham Munting, Naauwkeurige Beschryving Der Aardewassen. Fine copper engravings with later hand colouring. Florilegiums (Botanical works) of this period were produced in the main for scientific studies and research and usually illustrated just the plant itself. What makes Muntings work stand apart is the fashion in which he displayed his speciments (usually) floating above a landscape or village scene. Not satisfied with that, he had the name of the plant within a floating banner.
1696
‘New Works in Smokey Charcoal’
The A1 size unframed drawings are $3,300
The A2 size unframed drawings are $2,200
105.5 cm x 92 cm (A1 framed of Dash)
I have recently developed a strong interest in creating portraits of horses and hounds in a sophisticated and contemporary art style, exploring dynamic compositions and using the impressive qualities of charcoal. I am engaging in a technicque called ‘sfumato’ where the subjects edges are softly blended imparting an intriguing smoky effect.
I have included examples of my new charcoal artwork collaboration with Allpress Antiques in Melbourne, creating charcoal art inspired by ‘Objects of Virtue’.
This first example of my work is of the much loved whippet ‘Dash’.
Mali Moir
Botanical, Scientific and Natural History Artist.
A Portsea home that Brownlow Interior Design dressed using some of our art and furniture
Bivalubus (shells) Chonchology Historiae Conchyliorum.
One of the earliest published books dedicated to the subject of chronchology (etching and engraving)
Unframed Collection
1668
The well patinated oval drop-side top, supported by four turned tapered legs, terminating on a pad foot.
Note: When closed perfect use as a hall or sofa table. When sofa table open one drop-side up to make a “D” shaped drinks table. Or fully opened as an attractive oval dining table. Good overall colour and patination.
C. 1760
H: 72 cm W: closed 41 cm, open 142 cm D: 130 cm
La Borde, Regency period Greek design.
Hand coloured engravings.
1813
42 cm x 57 cm (unframed)
A decorative 18th Century English elm country Hepplewhite occasional chair.
The shaped top rail above a fretted carved vase shaped centre splat and waisted side supports.
Having a two plank seat with quarter moulded side rails, on square tapered quarter moulded legs joined by stretchers.
C. 1790
H: 92.5 cm W: 51 cm D: 49 cm