The large single plank quarter sawn walnut top having a zebra grained effect, above a plain frieze, resting on an unusual labyrinth of barley twist legs and angled stretchers.
William and Mary influence in the styling of the base. Early 18th Century style revived in the second half of the 19th Century.
Photos taken within three meters of wall space in my showroom today.
18th century English George III country oak low standing chest of drawers.
My personal small collection of Drip Glazed, Australian Deco Regal Mashman pottery. Always loved them.
I’m explaining this table in full detail, to show why I love English country oak, elm, chestnut, ash, fruitwoods, walnut and beech, as no two pieces really are quite the same.
(Unlike town pieces, especially 18th – 19th century mahogany’s, predictably perfect.)
Such an interesting table, with various periods included in the making.
A customer brought in this exceptional copy of a mid 19th century English comb-back ash and elm Windsor armchair yesterday, such a good late 20th century copy, in every way.
I don’t sell copies, but remembered another customer was wanting an original, I called and showed her this one. SOLD!
Certainly priced accordingly, but two very happy customers.
A rare George III English oak dish-top lamp table.
C.1770
H.69cm Dia.41.5cm
Hanging above, “Caunga”
Hand painted copper engraving,
by Hendrik Draakestein.
The first complete flora from the East Indies.
Amsterdam 1686
The well patinated thick single plank top, above a deep geometric drawer, having a divided interior, with carved star motifs and bold steel key.
Resting on well turned legs, joined by square stretchers, on matching bun feet.
Note, the top without visible shrinkage, as one plank. Thickness of top 3.5cm
The well patinated two plank cleat-moulded top, above two short, then three long graduated narrow moulded drawers, having brass swan-neck handles.
Resting on classic shaped bracket feet.
Great overall faded patina.
C.1770