The deep cross-banded top, with a narrow tunbridge-ware inlaid stringing divider.
Above four graduated deniers, with a deeper matching drawers, having beautifully matched flowing veneers,
with a deeper matching tunbridge-ware stringing and narrow cross-banding.
All retaining the original brass swan-neck handles and escutcheons.
Resting on shaped bracket feet.
Notice the clean lines, with no mouldings between the top and base, so stylish, yet fancy bracket feet.
I love these unusual mixing of styles done in the last third of the 19th century.
The drawers are attractive oak lined.
Also, the top overhangs the back boards about one inch to prevent the large fashionable skirting boards leaving deep spaces between the piece and the wall.
The plain moulded three plank top, with rear plank having a plate groove to display ceramic plates and pewter chargers.
The attractive designed ebonies cock-beaded front displaying four drawers, with a smaller central cupboard, flanked by two larger matching panelled sides.
Resting on shaped bracket feet.
The later art nouveau brass handles suit well.
Good overall colour and patination.
C.1880
H.89cm
W.160cm
D.45cm
Hanging above, five early 19th century framed Redoute hand coloured copper engravings.
Beautiful last quarter 19th century French oak rotating desk chairThe last photo shows before restoration.
Several patches and re carving, re gluing, removed the later varnished dark surface to reveal a very red raw oak.
Refused to sand or bleach, made up a green base stain that removed much of the red, a very old trick.
Re french polished, coloured in repairs, cut back and wax finished.
Craig Howell, upholsterer, removed the original pressed leather seat and reupholstered the chair to finish this wonderful job.
Eddie, cabinet maker, completed the repairs and carving. Also the ball bearings lubricated and running well.
They didn’t make them this narrow in the 18th century. Much shorter and deeper.
This was made to suit the narrow Victorian hallways.
The bowed single plank, reeded-mould top, above a narrow x-banded skirt,
having a single figured mahogany central drawer, with ebony stringing and later but appropriate circular brass plate,
ring handles, covering where the wooded turned handles originally sat. With faux drawers to each side.
Resting on turned tapered legs.
The rectangular central panelled hinged moulded top
Above a matching panelled front
Having the original lock and key
Resting on a miniature bracket style foot
This piece was in our front living room the last twenty years, housing remotes, many wine glasses and coffee cups rested on the top.
After selling our family house, I simply can’t hold on to everything, so selling many pieces from my private collection.
This morning I farewelled an old friend and business associate.
Geoff Fiske was my first antique dealer customer when I started my restoration business in my garage in Footscray in the 80s.
Geoff introduced me to John Ainger, E.J. Ainger Auctions.
H:60cm with chain and cup 1m
Dia: 50cm
Note: can be raised or lowered to suit..
Surprisingly, the majority of chandeliers I import, still retain the original French globes. Once restored and placed into my showroom or customers home, the majority of globes are still working. Remarkable!