A Beautiful Pair of Red Painted Leadlight Antique Doors.
H 207cm
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H 207cm
The figured book matched, rectangular top above two narrow drawers.
Retaining the original turned handles, on a well turned, finely carved decorative base.
C.1830
H.74cm
W.122cm
D.61cm
18th century English country oak gate-leg table.
Charlie restored this table for Behruz, where it sits in their entrance foyer to the centre of a stunning rug.
Charlie’s worked with Amir, Omid and all their wonderful staff for some time now, until he departs for Thailand later this month.
This is Charlie’s ‘thank you’ to the boys
Thanks to Jack for showing him.
I look forward to continuing to teach Charlie restoration skills…
Very tasteful gifts for family and friends..
The taller of the pair – Glassworks from Czech Republic.
The dome – Krosno, Poland
H. Between 16cm – 4cm
Two retaining the original scabbards
66cm
The Gras bayonet was one of the last French sword bayonets.
It was manufactured to fit the French model 1874 Gras infantry rifle.
The well patinated figured elm three plank cleated top, above one long oak end drawer
(notice the unusual construction of the drawer sides, joined through the drawer front, love this) retaining the original turned handle.
Having square chamfered legs, joined by rectangular stretchers.
Legs raised to modern height many years ago.
C.1850
H.76cm
W.274cm
D.76cm
Note, in 33 years of business and 45 years in the trade, this is one of only a handful of original farmhouse tables I’ve sold, over 2.2m. Very scarce.
The Kitchen:
The applied wall shelving was highlighted dark green and gold, from memory. We suggested to re paint to blend with the existing wall colour.
Bridget Evans and Suzi Mann, cut back and re painted them, while the furniture was being placed. I had such a wonderful team back in 2010.
Having the best suited assistance is imperative when running a specialist business.
As you can see how nice they now blend in, rather than fighting for attention with ceramics.
We were very proud of this change.
2010 I was invited to re-arrange the entire contents of The Johnston Collection, to create my own interpretation and to give visitors to the house a fresh experience.
I heard about the Johnston collection many years ago and on seeing it was ‘enthralled’ by the overall quality and uniqueness of Mr Johnston’s collection.
Visually for me sometimes less is more and my initial reaction was to lighten the content. Thus began a process as an example, I placed one painting where previously there had been two, lots of subtle changes. I certainly don’t appreciate minimalism but on the other hand, I don’t like a cluttered appearance.
2010 I was invited to re-arrange the entire contents of The Johnston Collection, to create my own interpretation and to give visitors to the house a fresh experience.
I heard about the Johnston collection many years ago and on seeing it was ‘enthralled’ by the overall quality and uniqueness of Mr Johnston’s collection.
2010 I was invited to re-arrange the entire contents of The Johnston Collection, to create my own interpretation and to give visitors to the house a fresh experience.
I heard about the Johnston collection many years ago and on seeing it was ‘enthralled’ by the overall quality and uniqueness of Mr Johnston’s collection.
The thick, well worn, patinated single plank sycamore top, retaining the original steel strapping to one end, the free standing pointed corners showing the shrinkage of the timber over the centuries.
Raised on rectangular out-swept ash chamfered legs.
Pewter and pears always suit French provincial and period English oak and country furniture.
17th century Hendrick Draakestein, Kaida Leaf 1686 and three framed 19th century Wolters Pears 1880, hanging above.
Squeezed in a 19th century French elm trunk for a change.
Such an enjoyable part of my business, creating displays for the showroom and promoting my stock.
1780 – 1800
H.76cm
W.110cm
D.67cm